Dimples (1936 film)

This article is about the 1936 film. For the film starring Mary Miles Minter, see Dimples (1916 film).
Dimples

Theatrical poster
Directed by William A. Seiter
Produced by Nunnally Johnson
Darryl F. Zanuck
Written by Nat Perrin
Arthur Sheekman
Starring Shirley Temple
Frank Morgan
Helen Westley
Music by Jimmy McHugh
Cinematography Bert Glennon
Distributed by 20th Century Fox
Release dates
  • October 16, 1936 (1936-10-16)
Running time
79 minutes
Country United States
Language English
Box office $1 million[1]

Dimples is a 1936 American musical film directed by William A. Seiter. The screenplay was written by Nat Perrin and Arthur Sheekman. The film is about a young mid-nineteenth century street entertainer (Temple) who is separated from her pickpocket grandfather (Morgan) when given a home by a wealthy New York City widow (Westley). The film was panned by the critics. Videocassette and DVD versions of the film were available in 2009.

Plot

Dimples is a Bowery busker living with her pickpocket grandfather "Professor" Eustace Appleby. She is hired to entertain at a soiree in the Washington Square Park home of wealthy widow Caroline Drew. Mrs. Drew is so charmed by Dimples she opens her home and heart to the child, providing her a life of comfort and plenty.

Mrs. Drew's nephew Allen, a theatrical producer, abandons his sweetheart Betty Loring for haughty actress Cleo Marsh. His family is scandalized, but Allen pursues his goal of staging a brand-new play, Uncle Tom's Cabin, with Dimples portraying Little Eva.

During rehearsals, Dimples longs for her grandfather and returns to his humble dwelling, refusing to budge without the old man in tow. Mrs. Drew traces Dimples to the Bowery and a solution is found to the impasse. Allen realizes he loves Betty and is reunited with her. The film ends with Dimples appearing in New York City's first minstrel show.

Cast

Production

This movie was originally to be titled The Bowery Princess but was changed as it was deemed too coarse for Temple's image. There was a great deal of friction on the set of this movie as Morgan and Temple repeatedly tried to steal scenes from one another. Morgan would place his stovepipe hat on a table blocking Temple's face and forcing her to move her marks and out of the camera lights. He would also keep moving his hands near her eye level by tinkering with a handkerchief or placing on gloves. Temple for her part would either yawn or scratch her face. In the scene where Morgan's character gets ripped off by con men, Temple jiggled the fishing pole she was holding in the background in an attempt to draw attention away from Morgan. She also worked with Robinson to devise ways of creating rhythmic pauses and gestures in her dance movements to prevent scene stealing from Morgan. Producer Nunally Johnson, commenting on the scene stealing, remarked that "When this picture is over, either Shirley will have acquired a taste for Scotch whiskey or Frank will come out with curls."[2]

Music

The film's songs "Hey, What Did the Blue Jay Say", "He Was a Dandy", "Picture Me Without You", "Get On Board", "Dixie-anna", and "Wings of the Morning" were written by Jimmy McHugh and lyricist Ted Koehler. The dances were choreographed by Bill Robinson who appeared with Temple in four films and partnered her for the famous staircase dance in The Little Colonel.

Sony Computer Entertainment later used the song Get On Board for a PlayStation 2 advertisement entitled "Mountain".[3]

Release

Critical reception

Frank Nugent wrote in The New York Times that the film was "not the best Temple, nor the worst” and thought her performance as Little Eva in Allen's play "sheer bathos".[4]

Louella Parsons wrote, “The Golden Temple baby is growing upboth taller and broaderbut her million-dollar personality remains the same fortunately and she needs it for Dimples (Edwards 101).

Temple scholar Robert Windeler notes that Temple was upstaged for the first time in one of her pictures. Frank Morgan played Temple’s “Micawberesque grandfather with such energy and fun as to render Shirley […] faltering and hollow (Windeler 175).

Home media

In 2009, videocassette and DVD editions were available in the original black and white and in computer-colorized versions of the original. Some editions included theatrical trailers and other special features.

See also

References

Works cited
Web citations
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