David Toop
| David Toop | |
|---|---|
| Born |
5 May 1949 London, England |
| Genres | Ambient, experimental |
| Occupation(s) | Music journalist, musician |
| Years active | 1975–present |
| Labels | Virgin, Sub Rosa |
| Associated acts | Max Eastley, Steve Beresford, The Flying Lizards, Frank Chickens, Jeff Noon, Alterations |
David Toop (born 5 May 1949) is an English musician, author, and professor and chair of audio culture and improvisation at the London College of Communication. He was a member of the Flying Lizards and a contributor to the British magazine The Face. He is a regular contributor to The Wire, a British music magazine.
Early years
Soon after his birth, his parents moved to Waltham Cross, Hertfordshire, where he grew up. He was educated at Broxbourne Grammar School, which he left in 1967 to study at Hornsey College of Art.
Career
Toop published his pioneering book on hip hop, Rap Attack, in 1984. Eleven years later, Ocean of Sound appeared, described as Toop's "poetic survey of contemporary musical life from Debussy through Ambient, Techno, and drum 'n' bass."[1] Since the 1970s, Toop has also been a significant presence on the British experimental and improvised music scene, collaborating with Max Eastley, Brian Eno, Scanner, and others. He is a member of the improvising, genre-hopping quartet Alterations, active from 1977 to 1986 and reforming in 2015.[2] In 2001, Toop curated the sound art exhibition Sonic Boom, and the following year, he curated a 2-CD collection entitled Not Necessarily Enough English Music: A Collection of Experimental Music from Great Britain, 1960–1977. More experimentally, Toop has also actively engaged with 'sounding objects' from a range of museums.[3]
Bibliography
- Rap Attack: African Jive to New York Hip Hop (1984) ISBN 0-89608-238-5 – republished with additional chapters as
- Rap Attack 2: African Rap To Global Hip Hop (1992) ISBN 1-85242-243-2
- Rap Attack 3 (2000) ISBN 1-85242-627-6
- Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds (1995) ISBN 1-85242-743-4
- Exotica: Fabricated Soundscapes in a Real World (1999) ISBN 1-85242-595-4
- Haunted Weather: Music, Silence, and Memory (2004) ISBN 1-85242-812-0
- Sinister Resonance: The Mediumship of the Listener (2010) ISBN 1-4411-4972-4
- Into the Maelstrom: Music, Improvisation and the Dream of Freedom, Before 1970 (2016)
Partial discography
Solo and collaborations
- New & Rediscovered Musical Instruments (with Max Eastley) (1975)
- Wounds (with Paul Burwell) (1979)
- Buried Dreams (with Max Eastley) (1994)
- Ancient Lights and the Blackcore (with Scorn, Seefeel, Timothy Leary/Dj Ched I Sabbah)
- Pink Noir (1996)
- Screen Ceremonies (1996)
- Spirit World (1997)
- Hot Pants Idol (1999)
- Museum of Fruit (1999)
- Needle in the Groove (with Jeff Noon) (2000)
- Black Chamber (2003)
- 37th Floor at Sunset (2004)
- Doll Creature (with Max Eastley) (2004)
- Sound Body (2007)
Curated albums
- Ocean of Sound (1996) – (2-CD set intended to accompany his book)
- Crooning on Venus (1996)
- Sugar & Poison: Tru-Life Soul Ballads for Sentients, Cynics, Sex Machines & Sybarites (1996)
- Booming on Pluto: Electro for Droids (1997)
- Guitars on Mars (1997)
- Haunted Weather : Music, Silence, and Memory (2004) – (2-CD set intended to accompany his book)
External links
 |
Wikiquote has quotations related to: David Toop |
- Kinda Muzik interview (11/2000)
- Perfect Sound Forever interview (08/1997)
- David Troop's page on vibrofiles.com
- Short film on Unknown Devices, the laptop orchestra
References
- ↑ Audio Culture: Readings in Modern Music, p. 355.
- ↑ Bell, Clive. "Clive Bell: What's so funny 'bout British improvising? - The Wire". The Wire Magazine - Adventures In Modern Music. Retrieved 2016-05-17.
- ↑ Toop, David (1 October 2012). "Sounding the Object: a Timebase Archive". Journal of Conservation and Museum Studies. 10 (1): 39–43. doi:10.5334/jcms.1011203.