Dark Shadows (film)

Dark Shadows
Theatrical release poster
Directed by	Tim Burton
Produced by	Richard D. Zanuck Graham King Johnny Depp Christi Dembrowski David Kennedy
Screenplay by	Seth Grahame-Smith
Story by	John August Seth Grahame-Smith
Based on	Dark Shadows by Dan Curtis
Starring	Johnny Depp Michelle Pfeiffer Helena Bonham Carter Eva Green Jackie Earle Haley Jonny Lee Miller Chloë Grace Moretz Bella Heathcote
Music by	Danny Elfman
Cinematography	Bruno Delbonnel
Edited by	Chris Lebenzon
Production company	Village Roadshow Pictures Infinitum Nihil GK Films The Zanuck Company
Distributed by	Warner Bros. Pictures Roadshow Entertainment (Australia & New Zealand)
Release dates	May 11, 2012 (2012-05-11)
Running time	113 minutes[1]
Country	United States
Language	English
Budget	$150 million[1]
Box office	$245.5 million[1]

Dark Shadows is a 2012 American horror comedy film based on the gothic television soap opera of the same name, that was broadcast between 1966 and 1971. The film was directed by Tim Burton and stars Johnny Depp as Barnabas Collins, a 200-year-old vampire who has been imprisoned in a coffin. Collins is eventually unearthed and makes his way back to his mansion, now inhabited by his descendants. He discovers that his jealous ex-lover Angelique Bouchard (played by Eva Green) has taken over the town's fishing business that was once run by the Collins family (Bouchard is a witch who was responsible for transforming Collins into a vampire). Michelle Pfeiffer stars as Collins's cousin Elizabeth Collins Stoddard, the reclusive matriarch of the Collins family.^[2][3] The film had a limited release on May 10, 2012,^[4] and was officially released the following day in the United States.^[5]

The film performed disappointingly at the US box office but did well in other foreign markets. The film received mixed reviews; critics praised its visual style and consistent humor but felt it lacked a focused or substantial plot and developed characters.^[6] The film was produced by Richard D. Zanuck, who died two months after its release. It featured the final appearance of original series actor Jonathan Frid, who died shortly before its release. It was the 200th film appearance (and the fifth appearance in a Tim Burton film) of actor Christopher Lee.

Plot

In 1760, the Collins family moves from Liverpool, England to Maine and establishes the fishing town Collinsport, where they built their estate, Collinwood.

When he first arrives, the young son, Barnabas (Johnny Depp), meets the young Angelique Bouchard (Eva Green) who instantly falls in love with him. Angelique's witch mother who was with her at that time warned her of socializing with people of noble birth. This, however, did not stop Angelique from following the family for many years, hoping to be noticed by Barnabas.

In 1776 (that is, 16 years later), Barnabas, now a grown man, falls in love with a young woman named Josette du Pres, scorning Angelique who was now working as a maid in his household. Turning to black magic, Angelique curses the Collins family, first killing Barnabas's parents in an assumed accident, then by enchanting Josette to leap to her death off a cliff. In a fit of grief, Barnabas attempts to leap to his own death but that fails as well, as Angelique has cursed him to the immortal life of a vampire. When he still rejects her advances, she turns the town against him, and he is buried alive in a coffin.

In 1972 (that is, 196 years later), the young Maggie Evans, under the assumed identity of "Victoria Winters", applies for a job as a governess at Collinsport and meets with the current matriarch Elizabeth Collins Stoddard. Her nephew David, for whom Victoria will be caring, believes his mother, who drowned in a boating accident, still visits him. Victoria does not divulge that since her young age she, too, can see ghosts.

After meeting with David, his live-in psychiatrist Julia Hoffman, his father Roger, and Elizabeth's rebellious daughter Carolyn, Victoria is hired by Elizabeth. That night, Victoria sees the ghost of Josette, who warns that "He's coming" before disappearing after falling from a chandelier.

Elsewhere, a group of construction workers dig up Barnabas's coffin and inadvertently free him. After sating his blood thirst of 196 years, and shocked by the modern times he finds himself in, Barnabas returns to Collinwood, and hypnotizes the groundskeeper Willie Loomis as his personal Renfield, and introduces himself to the family as a "distant relative".

Elizabeth believes him to be a con man until he reveals hidden riches buried in a secret room within the house, when Elizabeth thought the family to be destitute. After realizing who and what Barnabas is, she asks to keep it a secret, barely passing him off as a distant cousin (eventually Julia will discover his identity through hypnosis, and offer to cure his vampiric condition via blood transfusions).

Barnabas is instantly smitten with Victoria when he meets her, as she resembles Josette. He seeks out Carolyn's advice on courting her. Angelique, now an immortal witch herself, visits Barnabas and threatens him not to go into business competition against her; nevertheless, Barnabas reopens the Collins family cannery business and uses hypnosis to steal several of the fisherman crews who work for Angelique. She tries to buy him off, but even after an episode of supernatural lust between the two of them, he rejects her offer.

Barnabas wants to hold a ball to reintroduce the family to the townsfolk; Carolyn suggests they make it a happening, with musician Alice Cooper as the headliner. At the ball, Barnabas catches Roger stealing from guest's coats. Victoria reveals to Barnabas she's actually an escapee from the mental asylum where her parents had her confined since she was a child due to her powers.

Angelique makes a grand appearance in order to seduce Barnabas, but when she catches him kissing Victoria, she becomes even more embittered. Barnabas, on his part, wishes even more desperately to be mortal again, but finds out Julia is just using his blood to make herself immortal, so he kills her and dumps her body into the bay with Willie's help.

After catching Roger trying to break into the secret room, Barnabas gives him a choice: to stay and be an exemplary father to David, or leave with enough money to live his life alone. Roger chooses the latter, to David's heartbreak. Barnabas's true identity is finally revealed to the rest of the family and Victoria when he saves David from a falling disco ball. Victoria is scared by the revelation and runs away.

Angelique summons Barnabas again to her office, but when he rejects her offer of partnership once again, she traps him into another coffin, this time burying him in a mausoleum. Shortly after, he is found and freed by David, alerted by his mother's ghost. Meanwhile, Angelique destroys the Collins's factory and implicates Barnabas in the murders of Julia and all the people he had to feed on, turning the townsfolk against the family.

Back at the mansion, Barnabas reveals his and Angelique's true nature in front of an angry mob, and a fight ensues. During the fight, Carolyn reveals she is a werewolf, a massive fire breaks out in the house, and ultimately David's mother manages to hurl Angelique against the chandelier, which then falls to the ground, mortally wounding her. She literally offers her heart to Barnabas again, but he refuses it and it turns to dust and she dies.

David learns from his mother that Victoria is headed toward the cliffs where Josette committed suicide. Barnabas refuses to turn her into a vampire, and she throws herself from the cliffs; he leaps after her, biting her so she can survive the fall as a vampire. She awakens, asking him to call her Josette, and the two kiss passionately on the rocky shore. David asks Elizabeth what the Collins family will do now, and Elizabeth says they will do what they've always done: "endure".

Meanwhile, at the bottom of the bay, the assumed dead Julia suddenly opens her eyes to her new immortal life as well.

Cast

• Johnny Depp as Barnabas Collins, an 18th-century vampire who awakens to the 20th century.^[7] Justin Tracy appears briefly in the film as a young Barnabas. While an empathetic character aware of his sinister nature, Barnabas retains a vicious streak, never forgiving and relentless in the kill. His only loyalties to his family aside, he is a well mannered man consistently trapped in the mindset of an 18th-century Englishman.
• Michelle Pfeiffer as Elizabeth Collins Stoddard, the family matriarch.^[7] Stern and strict, but loyal and devoted to her family, Elizabeth cares for every member of the household and tends to help them through their personal trials. To "endure" as they always have, she isn't afraid to stand up for herself.
• Helena Bonham Carter as Dr. Julia Hoffman, the family's live-in psychiatrist, hired to deal with David and his belief in ghosts.^[7] Somewhat vain and losing to her aging, she takes it upon herself to receive transfusions from Barnabas (under the guise of trying to cure him). She is often drunk or taking pills. Barnabas woos her into having a crush on him, often taking advantage of his naive nature without regarding the possible consequence of betraying him.
• Eva Green as Angelique Bouchard, a vengeful witch who plots a vendetta against Barnabas and his family.^[7] She wears a constantly false smile that resembles a feature like a porcelain doll and like glass, her face becomes cracked when damaged, revealing a possibly hollow interior. She had spent two centuries using her immortal nature to ruin the Collins family name and give herself more power, posing as five generations of the "Bouchard Women".
  • Raffey Cassidy as Young Angelique
• Jackie Earle Haley as Willie Loomis, the manor's caretaker.^[7] He becomes Barnabas' servant through hypnosis; he retains his own mindset, but follows his master's will instantly.
• Jonny Lee Miller as Roger Collins, Elizabeth's "ne'er-do-well" brother.^[7] Larcenous and greedy, Roger often takes advantage of what he can through theft, trickery or bribery. When Barnabas catches him snooping around for the secret vault, he offers Roger a choice, either stay at Collinwood and be an exemplary father to his son David, or leave with the money to live on. The selfish man chooses the latter, hurting David at his departure.
• Bella Heathcote as Victoria Winters, David's governess and Barnabas' love interest.^[7] Heathcote also plays the role of Josette du Pres. Victoria and Maggie Evans' roles in the original series were combined in the film, with Maggie choosing to adopt the name of Victoria after seeing a poster for winter sports in Victoria, British Columbia while on the train to Collinsport. As a child, Victoria was sent to a mental hospital by her parents for possessing the ability to see and speak to ghosts, only to escape and find refuge with the Collins family. She is from New York and has a very kind nature. She is mutually attracted to Barnabas, but recoils after discovering his true nature.
• Chloë Grace Moretz as Carolyn Stoddard, Elizabeth's rebellious teenage daughter.^[7] She offers Barnabas advice on love, music, and insight into the current era. She wants to run away to New York when she turns 16, but her mother constantly forbids it. She also turns out to be a werewolf, as she was bitten by a werewolf sent by Angelique when she was a baby.
• Gulliver McGrath as David Collins, Roger's "precocious" 10-year-old son, who can see his mother's ghost, who was killed by Angelique at sea.^[7]
• Ray Shirley as Mrs. Johnson, the manor's elderly maid.^[8]
• Christopher Lee as Silas Clarney, a "king of the fishermen who spends a lot of time in the local pub, The Blue Whale."^[9][10]
• Alice Cooper as himself^[9]
• Ivan Kaye as Joshua Collins, the father of Barnabas Collins.^[11]
• Susanna Cappellaro as Naomi Collins, the mother of Barnabas Collins.^[12]
• William Hope as Sheriff Bill of Collinsport
• Hannah Murray as Hippie Chick
• Guy Flanagan as Bearded Hippie

At the San Diego Comic-Con 2011, it was also confirmed that four actors from the original series appear in the film. In June 2011, Jonathan Frid, Lara Parker, David Selby and Kathryn Leigh Scott all spent three days at Pinewood Studios to film cameo appearances. They all appeared as party guests during a ball held at Collinswood Manor.^[13][14][15] Frid died in April 2012, making this his final film appearance.

Production

In July 2007, Warner Bros. acquired film rights for the gothic soap opera Dark Shadows from the estate of its creator Dan Curtis. Johnny Depp had a childhood obsession with Dark Shadows, calling it a "dream" to portray Barnabas Collins, and ended up persuading Burton to direct.^[16] The project's development was delayed by the 2007–2008 Writers Guild of America strike. After the strike was resolved, Tim Burton was attached to direct the film.^[17] By 2009, screenwriter John August was writing a screenplay for Dark Shadows.^[18] In 2010, author and screenwriter Seth Grahame-Smith replaced August in writing the screenplay.^[19] August did, however, receive story credit with Smith for his contribution to the film. Filming began in May 2011. It was filmed entirely in England, at both Pinewood Studios and on location.^[7] Depp attempted to emulate the "rigidity" and "elegance" of Jonathan Frid's original Barnabas Collins, but also drew inspiration from Max Schreck's performance in Nosferatu.^[20]

Additional crew members and Burton regulars are production designer Rick Heinrichs, costume designer Colleen Atwood, editor Chris Lebenzon and composer Danny Elfman.^[7] French cinematographer Bruno Delbonnel — known for his work in Amélie, A Very Long Engagement and Harry Potter and the Half-Blood Prince — worked on the project.

Music

Score

The film was scored by long-time Burton collaborator Danny Elfman. An album featuring 21 tracks of compositions from the film by Elfman was released on May 8, 2012.^[21]

Track listing

Soundtrack

The soundtrack features a score of several contemporaneous 1970s rock and pop songs, along with others from later and slightly earlier, including "Nights in White Satin" by The Moody Blues, "Top of the World" by The Carpenters, "You're the First, the Last, My Everything" by Barry White, "I'm Sick of You" by Iggy Pop, "Season of the Witch" by Donovan, "Get It On" by T. Rex and "Paranoid" by Black Sabbath. Alice Cooper, who makes a cameo in the film, sings "No More Mr. Nice Guy" and "Ballad of Dwight Fry". A cover of the Raspberries' song "Go All the Way" by The Killers also plays over the end credits. The soundtrack, featuring 11 songs (including two score pieces by Danny Elfman, and Depp's recitation as Barnabas of several lines from "The Joker" by Steve Miller Band) was released on May 8 as a download,^[22] and on various dates as a CD, including on May 22 as an import in the United States,^[23] and on May 25, 2012 in Australia.^[24] Songs not featured on the soundtrack that are in the film include "Superfly" by Curtis Mayfield, and "Crocodile Rock" by Elton John.

Track listing

Included next to each track is the year of the song's original release, excluding the score pieces.

Reception

Box office

The film grossed $79,727,159 in the United States and Canada, along with $165.8 million in other territories, for a worldwide total of $245.5 million.^[1] For a Burton film, Dark Shadows achieved below-average domestic box office takings,^[25] with many commentators attributing that to the domination of The Avengers.^[26] However, the film was popular overseas; it came second to The Avengers in most countries in regard to opening box office takings.^[26]

Critical response

Dark Shadows has received mixed reviews from film critics. On Rotten Tomatoes, the film has an approval rating of 37%, based on 233 reviews, with an average rating of 5.3/10. The site's critical consensus reads: "The visuals are top notch but Tim Burton never finds a consistent rhythm, mixing campy jokes and gothic spookiness with less success than other Johnny Depp collaborations."^[6] On Metacritic, the film has a score of 55 out of 100, based on 42 reviews, indicating "mixed or average reviews".^[27]

Some critics felt that the film lacked a focused or consistent plot or genre (as either horror, comedy or drama)^[28] pointing to Grahame-Smith's script, and that some jokes fell flat.^[29] Some further claimed that Tim Burton and Johnny Depp's collaborations have become tired.^[30][31][32] Many of the same, and other reviewers, however, noted its visual style was impressive.^[33][34][35]

Positive reviewers, on the other hand, opined that the film did successfully translate the mood of the soap opera,^[36] also acclaiming the actors—most notably Depp as Barnabas, who several said was the stand-out character due to his humorous culture shock,^[34] as well as Pfeiffer^[37]—and their characters; and further, that the film's '70s culture pastiche worked to its advantage.^[38]

Roger Ebert said, "[The film] offers wonderful things, but they aren't what's important. It's as if Burton directed at arm's length, unwilling to find juice in the story." Ebert later noted that "Much of the amusement comes from Depp's reactions to 1970s pop culture," eventually concluding that the film "begins with great promise, but then the energy drains out," giving it two and a half stars out of four.^[34] Manohla Dargis, writing for The New York Times, said that it "isn't among Mr. Burton's most richly realized works, but it's very enjoyable, visually sumptuous and, despite its lugubrious source material and a sporadic tremor of violence, surprisingly effervescent," and opined in a mostly positive review that Burton's "gift for deviant beauty and laughter has its own liberating power."^[33]

Rolling Stone's Peter Travers gave the film a mixed two and a half stars, claiming, "After a fierce and funny start, Dark Shadows simply spins its wheels," and adding that "the pleasures of Dark Shadows are frustratingly hit-and-miss. In the end, it all collapses into a spectacularly gorgeous heap."^[35] In The Washington Post, Ann Hornaday dismissed the film, awarding it just one and a half stars, explaining that "Burton's mash-up of post-'60s kitsch and modern-day knowingness strikes a chord that is less self-aware than fatally self-satisfied. Dark Shadows doesn't know where it wants to dwell: in the eerie, subversive penumbra suggested by its title or in playful, go-for-broke camp."^[28]

Richard Corliss in Time pointed out that "[Burton]'s affection is evident, and his homage sometimes acute," and reasoned: "All right, so Burton has made less a revival of the old show than a hit-or-miss parody pageant," but praised the star power of the film, relenting that "attention must be paid to movie allure, in a star like Depp and his current harem. Angelique may be the only Satanist among the women here, but they're all bewitching."^[36] Peter Bradshaw, in the British newspaper The Guardian, weighed the film in a mixed write-up, giving it three stars out of five, and pointing out his feeling that "the Gothy, jokey 'darkness' of Burton's style is now beginning to look very familiar; he has built his brand to perfection in the film marketplace, and it is smarter and more distinctive than a lot of what is on offer at the multiplex, but there are no surprises. There are shadows, but they conceal nothing."^[30]

Accolades

Home media

Dark Shadows was released on both Blu-ray and DVD in the United States on October 2, 2012, the date confirmed by the official Dark Shadows Facebook page, and the official Dark Shadows website.^[40] The film was released on both formats several days earlier in Australia; in stores on September 24, and online on September 26, 2012.^[41] The film was released on October 15, 2012 in the UK.

The DVD includes just one featurette, "The Collinses: Every Family Has Its Demons",^[42] while the Blu-ray contains a total of nine short featurettes and six deleted scenes.^[43] Several worldwide releases of both the DVD and Blu-ray contain an UltraViolet digital copy of the film.

Possible sequel

On December 7, 2011, Pfeiffer told MTV that she is hoping sequels will be made for the film.^[44] On May 8, 2012, Variety reported that Warner Bros. may want to turn Dark Shadows into a film franchise.^[45] On the same day, Collider.com mentioned that the ending lends itself to a possible sequel. When Burton was asked if he thought that this could be a possible start to a franchise, he replied, "No. Because of the nature of it being like a soap opera, that was the structure. It wasn't a conscious decision. First of all, it's a bit presumptuous to think that. If something works out, that's one thing, but you can't ever predict that. [The ending] had more to do with the soap opera structure of it."^[20]

See also

• Vampire film

There have been two other feature films based on the soap opera Dark Shadows:

• House of Dark Shadows (1970)
• Night of Dark Shadows (1971)

References

External links

Wikiquote has quotations related to: Dark Shadows

• Dark Shadows at the Internet Movie Database
• Dark Shadows at the TCM Movie Database
• Dark Shadows at Box Office Mojo
• Dark Shadows at Rotten Tomatoes
• Dark Shadows at Metacritic