Danny Schmidt

Danny Schmidt

Schmidt playing a house concert in Boalsburg, PA in 2008.
Background information
Birth name Danny Schmidt
Born (1970-10-07) October 7, 1970
Austin, Texas, US
Origin Austin, Texas
Genres folk, indie folk
Instruments vocals, guitar
Years active 1996–present
Labels Red House Records
Associated acts Carrie Elkin, Paul Curreri, Devon Sproule
Website dannyschmidt.com

Danny Schmidt (born October 7, 1970) is an American singer-songwriter based in Austin, Texas, where he now lives with his wife, fellow musician, and singer-songwriter Carrie Elkin.

Biography

Schmidt was born in 1970 and grew up in Austin, Texas. He started playing guitar at the age of 12. At age 20, he discovered that he liked the blues after tracking the music of Jimi Hendrix back through Muddy Waters, Mississippi John Hurt, and Lightning Hopkins all the way to old country gospel and spirituals. He bought an acoustic guitar and eventually discovered the likes of Dylan, Neil Young, Tom Waits, and John Prine, from whom he learned about songwriting.

After three years of college he joined the East Wind Community in the Ozark Mountains of southern Missouri for a year. He then became part of the Twin Oaks Community in the Blue Ridge Mountains of Virginia for about four years, where he met fellow singer-songwriter Devon Sproule. At 25, Schmidt began writing songsa developing talent which ultimately earned him the 2007 Kerrville Folk Festival New Folk award.[1]

In 1999, he settled for a while in Charlottesville, Virginia where his songwriting flourished and he started sharing his songs with the public. That year he released his first recording, an album titled Live at the Prism Coffeehouse. In 2001 he released Enjoying the Fall. 2003 brought his third collection of songs, Make Right the Time. In 2005, Schmidt released Parables & Primes. 2007 saw the release of Little Grey Sheep and 2009 the release of Instead the Forest Rose to Singhis first release on Red House Records. In 2011, Schmidt released Man of Many Moons, also on Red House.

Schmidt was a part of the original King of My Living Room group of Charlottesville songwriters—which included such artists as Brady Earnhart, Danny Schmidt, Stratton Salidis, Jan Smith, Lance Brenner, Browning Porter, and Jeff Romanowho would go on to do a series of concerts together, the first CD of which was recorded in 2001. He's appeared in each of the four performances since, including the latest November 2007 at the Gravity Lounge in Charlottesville.[2]

The debut King of My Living Room performance in Charlottesville convinced fellow singer-songwriter, and future good friend Paul Curreri to make his home there. Schmidt, Curreri, and Sproule became housemates, with Paul and Devon marrying soon after. Curreri later wrote and recorded a letter in song form to Danny, who responded with the yet-to-be-produced song Two Guitars, which he began performing live in 2009. Danny recorded his fifth album Little Grey Sheep (2008) in the Curreri/Sproule home, with Curreri serving as production engineer.

In 2005 Schmidt toured up and down the east and west coasts, as well as in Alaska, the United Kingdom, Italy, The Netherlands, France, and Italy.

In 2012, his song "This Too Shall Pass" was featured in the weather section of episode 8 of the popular podcast Welcome to Night Vale. His song "Echo in the Hills", performed alongside Carrie Elkin, was also featured in the podcast on 1 August 2014. In early 2015, Schmidt toured with the crew of the podcast, performing live versions of his songs with Elkin, as a part of their live episodes.

Religion

Born into a Jewish family, Schmidt does not feel his religion is either distinct or critical to understanding his art. As he puts it, when discussing his song "Sad Songs Walking":

"As for any personal notes on this song... this is the first song that made me worry about how Christian imagery was gonna affect my Jewish family. Was I gonna be misconstrued as "goin' Jesus" on my people? This song's kinda campy, so I didn't take the concern too deeply to heart. But it certainly did cross my mind quite a few times as I shared the first recordings with various chosen family.

And it has been an issue for me, actually, with a bunch of later songs... the fear of being identified as something I'm not, or as believing in something I don't. 'Cause really, my religious, philosophical and political belief systems don't fit into any traditional nomenclature – as I suspect most people's don't. But it's a vulnerable position, putting little snippets of expression out there for your loved ones, and others, to extrapolate from.

Anyway, the Jesus part doesn't mean anything. I'm no more Christian in my heart than I am Jewish, than I am Buddhist. And no less."[3]

Musical style

Danny Schmidt's writing spans from deeply rooted Appalachian mountain gospel to English balladry, from syncopated Piedmont country blues to vagabond protest folk-stumpery.[4] His main influences are Townes Van Zandt, Bob Dylan, Leonard Cohen, Neil Young, and Dave Carter.[5] In the Spring 2008 issue of Sing Out! magazine, journalist Matt Watroba noted that Schmidt's arrangements are powerful, his performances are laid-back yet energetic, while his lyrics are sheer poetry.[6]

"Stylistically and musically, Danny's writing spans an impressively diverse reach, from deeply-rooted Appalachian mountain gospel to haunted English balladry, from syncopated Piedmont country blues to vagabond 60's protest folk-stumpery. He tackles universal themes of love, loss, and longing . . . restless discontent and grateful joy. And he captures both the sorrow and the beauty inherent in our everyday lives with the wisdom of a perceptive, compassionate elder and with the innocent awe and tenderness of a child."[7]
"With beautifully crafted, lonesome pines music and complex beguiling words, he would've fitted neatly on the bill at any '60s coffee house alongside Townes Van Zandt or Leonard Cohen."
Andy Fyfe, Q Magazine
"The songs are fascinating and intriguing, even mysterious. The singing is warm and unassuming, letting the stories lead him. The melodies are captivating."
Marilyn Rea Beyer, WUMB

Awards, honors, distinctions

Discography

See also

References

Articles, reviews, interviews

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