Cinquecento

For other uses, see Cinquecento (disambiguation).
For the Fiat car, see Fiat Cinquecento.
Art of Italy
Periods
Etruscan
Ancient Roman
Gothic
Renaissance
Mannerism
Baroque
Rococo
Neoclassical and 19th century
Modern and contemporary
Centennial divisions
Trecento - Quattrocento - Cinquecento - Seicento - Settecento
Important art museums
Uffizi - Pinacoteca di Brera - Vatican Museums - Villa Borghese - Sabauda Gallery - Gallerie dell'Accademia - Pitti Palace - Accademia di Belle Arti Firenze - Bargello
Important art festivals
Venice Biennale - Rome Quadriennale
Major works
The Tribute Money (Masaccio) - Botticelli's Venus - Primavera - Mona Lisa - The Last Supper - Annunciation (Leonardo) - Sistine Chapel ceiling - Sistine Madonna - Pietà - The Last Judgment - The Creation of Adam - David (Michelangelo) - The School of Athens - The Battle of San Romano - Venus of Urbino - David (Donatello) - The Calling of St. Matthew - Unique Forms of Continuity in Space
Italian artists
Painters - Sculptors - Architects - Photographers - Illustrators
Italian art schools
Bolognese school - Ferrarese school - Forlivese school - Florentine school - Lucchese and Pisan School - Sienese school - Venetian school
Art movements
Renaissance - Mannerism - Baroque - I Macchiaioli - Metaphysical art - Futurism - Arte Povera - Novecento Italiano - Pittura infamante - Purismo - Transavantgarde - Scuola Romana
Other topics
Italian architecture - Sculpture of Italy - Timeline of Italian artists to 1800 - Raphael Rooms

Cinquecento (Italian pronunciation: [ˌtʃiŋkweˈtʃɛnto], 'five hundred'; short for millecinquecento '1500') was the Italian Renaissance of the 16th century, including the current styles of art, music, literature, and architecture.

Art

Main articles: High Renaissance and Mannerism

At the turn of the 16th century, especially in Northern Italy, artists began to use new techniques in the manipulation of light and darkness, such as the tone contrast evident in many of Titian's portraits and the development of sfumato and chiaroscuro by Leonardo da Vinci and Giorgione. The period also saw the first secular (non-religious) themes. Debate has ensued as to the secularism of the Renaissance emphasized by early 20th-century writers like Jacob Burkhardt due to the presence of these - actually few - mythological paintings. Botticelli was one of the main painters whose secular work comes down to us today, though he was deeply religious (a follower of Savonarola) and painted plenty of traditional religious paintings as well.

The period known as the High Renaissance represents the culmination of the goals of the earlier period, namely the accurate representation of figures in space rendered with credible motion and in an appropriately decorous style. The most famous painters from this time period are Leonardo da Vinci, Raphael, and Michelangelo Buonarroti. Their images are among the most widely known works of art in the world. Leonardo's The Last Supper, Raphael's The School of Athens and Michelangelo's Sistine Chapel ceiling are the textbook examples of this period.

High Renaissance painting evolved into Mannerism (c. 1520-80), especially in Florence. Mannerist artists, who consciously rebelled against the principles of High Renaissance, tend to represent elongated figures in illogical spaces. Contemporaries criticized this period as seeming artificial. Modern scholarship has recognized the capacity of Mannerist art to convey strong (often religious) emotion where the High Renaissance failed to do so. Some of the main artists of this period are Pontormo, Rosso Fiorentino, Parmigianino and Giulio Romano.

Music

See also: Renaissance music

The music of Giovanni Pierluigi da Palestrina is probably the most archetypical Cinquecento music. He simplified some of the complexities of the music of the time, and advocated a more homophonic style. He was partially reacting to the strictures of the Council of Trent, which discouraged excessively complex polyphony as inhibiting understanding the text. He was the foremost member of the Roman School, a group of composers of predominantly church music, in Rome, spanning the late Renaissance into early Baroque eras. Many of the composers had a direct connection to the Vatican and the papal chapel, though they worked at several churches; stylistically they are often contrasted with the Venetian School of composers, a concurrent movement which was much more progressive.

In Venice, from about 1534 until around 1600, an impressive polychoral style developed, which gave Europe some of the grandest, most sonorous music composed up until that time, with multiple choirs of singers, brass and strings in different spatial locations in the Basilica San Marco di Venezia (see Venetian School). These multiple revolutions spread over Europe in the next several decades, beginning in Germany and then moving to Spain, France and England somewhat later, demarcating the beginning of what we now know as the Baroque musical era.

In the late 16th century, as the Renaissance era closes, an extremely manneristic style develops. In secular music, especially in the madrigal, there was a trend towards complexity and even extreme chromaticism (as exemplified in madrigals of Luzzaschi, Marenzio, and Gesualdo). The term "mannerism" derives from art history.

Literature

The most famous works of the Italian Renaissance, by Dante, Boccaccio, and Petrarch, were written in the 14th century, but continued to exert influence. Ludovico Ariosto (Orlando furioso), Baldassare Castiglione (The Book of the Courtier) and Niccolò Machiavelli (The Prince) were eminent writers of the Cinquecento.

Architecture

See also: Renaissance architecture

It was the result of the revival of classic architecture known as Renaissance, but the change had commenced already a century earlier, in the works of Ghiberti and Donatello in sculpture, and of Brunelleschi and Alberti in architecture.

See also

References

    External links

    Look up cinquecento in Wiktionary, the free dictionary.
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