Chicago VII

Chicago VII
Studio album by Chicago
Released	March 11, 1974
Recorded	August – December 1973, Caribou Ranch, Nederland, CO
Genre	Jazz fusion, rock
Length	72:15
Label	Columbia
Producer	James William Guercio
Chicago chronology
Chicago VI (1973) Chicago VII (1974) Chicago VIII (1975)
Singles from Chicago VII
"(I've Been) Searchin' So Long" Released: February 1974 "Call on Me" Released: June 1974 "Wishing You Were Here" Released: October 1974

Professional ratings
Review scores
Source	Rating
Allmusic	[1]
Rolling Stone	(not rated)[2]

Chicago VII is the sixth studio album by American rock band Chicago and was released in 1974. It is notable for being their first double album of new material since 1971's Chicago III, and remains their final studio release in that format.

Background

While touring in support of Chicago VI in 1973, the band began getting restless and started integrating some lengthy jazz instrumentals into their sets. While audiences were somewhat mixed in their reaction, Chicago greatly enjoyed the experience and decided, after years of talking about it, to record a pure jazz-influenced album, and headed straight to producer James William Guercio's Caribou Ranch studios to cut their ambitious new album.

While the sessions started off well, there was soon dissension within the group about the jazz project, with, reportedly, Peter Cetera and Guercio both leery at the commercial risk of such an undertaking. While the band reasoned that some of the jazzy material was too good to throw away, the others finally relented to including the more pop and rock-oriented songs that the band had composed in the meantime. Almost by accident, Chicago had another double album on their hands.

Of the more conventional material, Chicago once again turned in a varied set of songs, with Terry Kath's "Byblos", named after a club in Osaka, Japan that Chicago had played, ranking among his best efforts. Robert Lamm, who was recording a solo album entitled Skinny Boy at the time, turned in several new songs, even donating his solo album's title track, featuring The Pointer Sisters on backing vocals. While James Pankow came through with another success, "(I've Been) Searchin' So Long" (#9), and trumpeter Lee Loughnane got lucky on his first try at songwriting in the hit "Call on Me" (#6), it was Peter Cetera who made the biggest strides on Chicago VII, composing "Happy Man" and "Wishing You Were Here" (#11), a lush ballad (signs of the future) that features three of The Beach Boys on backing vocals and which became a big hit in late 1974. "Happy Man" was subsequently covered by Tony Orlando and Dawn on their album To Be With You.

Chicago VII is notable for having writing contributions from all (and only) the members of the band, and for having most of the members stretching out in new ways; Loughnane sang lead ("Song of the Evergreens") and wrote a song, Pankow sang backup, Kath played bass, Cetera played guitar, and Parazaider and Seraphine composed.

Released in March 1974, Chicago VII - despite its first disc being almost exclusively jazz instrumentals - shot to #1 anyway in the US becoming another big success for Chicago.

In 2002, Chicago VII was remastered and reissued on one CD by Rhino Records with one bonus track: an early rehearsal of Kath's "Byblos". Initial pressings of this edition contained an edited version of the track "Happy Man" that had appeared on Greatest Hits, Volume II, which omitted the "false start" and studio countdown heard on the original Chicago VII LP.

Track listing

Bonus track (2002 re-issue)

16. "Byblos (Rehearsal)" (Kath) – 5:40

The band

• Peter Cetera – bass, lead vocals, guitar (12), backing vocals (6,8,9,12,13)
• Terry Kath – guitars, lead vocals, bass (7,11,12,15), bells (10), backing vocals (6,8,10)
• Robert Lamm – acoustic piano (8,9,12,14), keyboards (2), Fender Rhodes (3-8,13,15), clavinet (6,14), Mellotron (1), ARP synthesizer (4), Mini Moog (8), lead vocals, backing vocals (6,8,9,13)
• Danny Seraphine – drums, percussion (07,12), hi-hat (11), bass drum (11)
• Lee Loughnane – trumpet, flugelhorn (3,5), lead vocals (10), backing vocals (8,10,13)
• James Pankow – trombone, percussion (8), timbales (9), backing vocals (8,9)
• Walter Parazaider – flute (1,2), soprano saxophone (3), alto saxophone (9), tenor saxophone
• Brass arrangements : (4) by James Pankow & Robert Lamm ; (2,5,6,8,9,12-15) by James Pankow

Additional personnel

• Laudir de Oliveira – percussion on 1,3,4,6,7,9,11,12,13,16, congas on 2,4,6,8
• David Wolinski – ARP synthesizer on 8,12; acoustic piano on 10, Mellotron and Fender Rhodes on 11
• James William Guercio – acoustic guitar on 7, bass on 10, guitar on 12
• Jimmie Haskell – strings on 8
• Wayne Tarnowski – acoustic piano on 11
• Guille Garcia – congas on 9,11,13,15, percussion on 7
• Bobbi Roen, Camelia Ortiz, Diane Nini, Hank Steiger and Julie Nini – background party noises on 9
• Al Jardine, Carl Wilson, & Dennis Wilson – backing vocals on 12
• The Pointer Sisters – backing vocals on 15
• Ross Salomone – drums on 15

Production

• Produced by James William Guercio
• Engineered by Wayne Tarnowski and Jeff Guercio
• Strings recorded by Armin Steiner at Sound Labs (Hollywood, CA)
• Mixed by Phil Ramone
• Cover Photo – John Berg and Nick Fasciano
• Photography – Urve Kuusik

Charts

Album

Single

Certifications

References