Chaos (2005 Dominion film)

Chaos

Theatrical release poster
Directed by David DeFalco
Produced by Steven Jay Bernheim
Written by David DeFalco
Starring Kevin Gage
Stephen Wozniak
Kelly K.C. Quann
Maya Barovich
Chantal Degroat
Sage Stallone
Cinematography Brandon Trost
Edited by Peter Devaney Flanagan
Marc Leif
Production
company
Dominion Entertainment
Distributed by Dominion Entertainment
Dinsdale Releasing
Release dates
  • August 10, 2005 (2005-08-10)
Running time
74 minutes
Country United States
Language English
Budget $1 million[1]
Box office $10,289[2]

Chaos is a 2005 American horror film about the rape and murder of two adolescent girls. It is a remake of Wes Craven's The Last House on the Left, only with all character names changed and a different ending. It stars Kevin Gage and was written and directed by David DeFalco. The film has received widespread critical panning, having a Rotten Tomatoes's rating of 6%.[3] and a Metacritic score of 1 out of 100.

Plot

While living at her parents' mountain home, Emily (Degroat) is visited by her friend Angelica (Barovich), who invites her to a rave party in the woods. Her parents, Leo (Richards) and Justine (Lacey), let her attend, under the condition that she returns at midnight and calls if she's going to be late.

Arriving early at the party, Angelica immediately attempts to acquire ecstasy and suspects an attendee named Swan (Stallone) is carrying the drug. When asked about it, Swan informs the two girls that he doesn't have any ecstasy on him, but he has it in a nearby cabin, where his friends live. He requests that Emily and Angelica come to the cabin with him and meet his friends; the two comply. Unbeknownst to the girls, Swan's friends are actually his father Chaos (Gage), a notorious and wanted criminal and his father's gang, which consists of Chaos' girlfriend Daisy (Quann) and felon Frankie (Wozniak). Chaos sent his son to the party in order to lure unsuspecting women.

Upon their arrival at the cabin, Emily and Angelica are quickly captured by the gang and taken to an abandoned part in the woods. The girls manage to escape their captors and split up in an attempt to make it harder for Chaos and his gang to find them. Angelica is ultimately caught by Daisy and brought before Chaos, who tortures and stabs her death, and then proceeds to violate her corpse. Chaos and his group continue their pursuit of Emily, even as the sun sets. They briefly re-encounter her, but Emily manages to steal Daisy's knife in a struggle and stabs Swan in the genitals. Knowing his wound is fatal, Chaos suffocates his son and promises to murder Emily.

Meanwhile, Justine becomes nervous about Emily's whereabouts when she doesn't answer cell phone and convinces Leo to call the police. However, Justine suspects MacDunner (Medlock), the investigating officer, won't attempt to find her, so she and Leo go into the woods themselves. While searching for Emily, the couple find Angelica's corpse. Chaos and Frankie finally recapture Emily and bound her with rope. In retaliation for his son's death, Chaos brutally violates Emily with his knife. With both girls dead, the gang prepares to leave the area, when Chaos' van fails to start up. Knowing that they'll be caught if they stay in the woods, Chaos and his gang leave the vehicle and look for a car to steal. Their van is then found by MacDunner and his partner Wilson (Barrows), who discover blood-stained clothes.

The gang decides to go to a nearby house, with the intent of stealing the owner's car, unaware of the fact that they arrived at Emily's home. Leo lets Chaos and his group stay at the home, but notices that Daisy is wearing Emily's belt. Suspecting the group of being involved with Emily's disappearance, Leo calls the police, while Chaos and Frankie prepare to hot-wire his car and kill the couple.

Chaos is confronted by a shotgun-wielding Leo, determined to find out what happened to his daughter. When Frankie arrives with a captured Justine, Chaos disarms Leo and takes the shotgun. Instead of shooting Leo and Justine, however, Chaos shoots Daisy when she tries to convince him to leave the house. In the ensuing confusion, the couple escapes. Leo emerges with a chainsaw and slashes Frankie across the stomach, and proceeds to attack Chaos. In the ensuing struggle, Leo manages to get the upper hand and prepares to kill Chaos. Before he can, MacDunner arrives and kills Leo when he refuses to drop his weapon. Justine retaliates by shooting MacDunner in the back and Wilson is killed by Chaos. Chaos then shoots Justine in the head and his laughter is heard.

Cast

Critical response

The poster design for Chaos (above) was also very similar in design to the The Last House on the Left film poster.

Chaos earned a 6% rating on Rotten Tomatoes.[3] The film's Metacritic rating is 1 out of 100,[4] making it the worst reviewed film on their site (tied with Bio-Dome, The Singing Forest, inAPPropriate Comedy, Not Cool, 10 Rules for Sleeping Around, The Human Centipede 3 (Final Sequence), and United Passions).[5]

Joshua Land of The Village Voice wrote, "The reference point is obviously Wes Craven's Last House on the Left, but Chaos lacks the audience-implicating boldness or howling political outrage of that landmark; where Last House was provocative, Chaos is merely disgusting."[6]

Conversely, the sole positive review for both Rotten Tomatoes' and Metacritic's listings came from Ken Fox of TV Guide's Movie Guide, who gave it 2½ out of 4 stars and said, "Unlike so many other Last House on the Left rip-offs, this virtual remake is reasonably well shot and convincingly acted."[7]

Roger Ebert

Chaos received some publicity from Roger Ebert's zero star review and the filmmaker's response. Ebert wrote in his initial review that "Chaos is ugly, nihilistic, and cruel – a film I regret having seen. I urge you to avoid it. Don't make the mistake of thinking it's 'only' a horror film, or a slasher film. It is an exercise in heartless cruelty and it ends with careless brutality."[8]

DeFalco responded with a full page letter in the Chicago Sun-Times, saying in part, "Mr. Ebert, how do you want 21st century evil to be portrayed in film and in the media? Tame and sanitized? Titillating and exploitive? Or do you want evil portrayed as it really is? 'Ugly, nihilistic and cruel', as you say our film does it?"[9]

Ebert replied to DeFalco in the article "Evil in film: To what end?", with "In a time of dismay and dread, is it admirable for filmmakers to depict pure evil? Have 9/11, suicide bombers, serial killers and kidnappings created a world in which the response of the artist must be nihilistic and hopeless? At the end of your film, after the other characters have been killed in sadistic and gruesome ways, the only survivor is the one who is evil incarnate, and we hear his cold laughter under a screen that has gone dark. [...] Your answer, that the world is evil and therefore it is your responsibility to reflect it, is no answer at all, but a surrender." Ebert also argued that, "Your real purpose in making Chaos, I suspect, was not to educate, but to create a scandal that would draw an audience. There's always money to be made by going further and being more shocking. Sometimes there is also art to be found in that direction, but not this time."[9]

See also

References

  1. "Chaos (2005/I) – Box office / business". Internet Movie Database. Amazon.com. Retrieved 2013-01-12.
  2. "Chaos (2005) – Box Office Results". Box Office Mojo. Retrieved July 27, 2011.
  3. 1 2 "Chaos Tomatometer". Rotten Tomatoes. Retrieved 2007-03-12.
  4. "Chaos reviews". Metacritic. Retrieved 2007-03-12.
  5. "Movie Releases by Score". Metacritic. Retrieved 18 June 2015.
  6. Land, Joshua. "'Chaos' Review'". Village Voice. Retrieved 2011-05-15.
  7. Fox, Ken. "Review of Chaos". TV Guide. Retrieved 2007-03-12.
  8. Ebert, Roger (2005-08-12). "Review of Chaos". Chicago Sun-Times. Retrieved 2007-03-12.
  9. 1 2 Ebert, Roger (2005-08-19). "Evil in film: To what end?". Chicago Sun-Times. Retrieved 2007-03-12.

External links

This article is issued from Wikipedia - version of the 2/11/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.