Chance (novel)

First edition dustwrapper

Chance is a novel by Joseph Conrad, published in 1913 following serial publication the previous year. Although the novel was not one upon which Conrad's later critical reputation was to depend, it was his greatest commercial success upon initial publication.[1][2][3]

Chance is narrated by Conrad's regular narrator, Charles Marlow, but is characterised by a complex, nested narrative in which different narrators take up the story at different points. The novel is also unusual among its author's works for its focus on a female character: the heroine, Flora de Barral.

The narrators describe and attempt to interpret various episodes in the life of Miss de Barral, the daughter of a convicted swindler named Smith de Barral (though this character is famous in the world of the novel as a criminal, he may, at least at first, have been merely an incompetent banker). Miss de Barral leads a sheltered life while her father is prosperous, then must rely on the generosity of others, who resent her or have agendas for her, before she escapes by marrying one Captain Anthony. Much of the book involves the musing of the various narrators over what she and the Captain expected from this union, and what they actually got from it. When her father is released from prison, he joins them on ship, and the book heads towards its denouement.

Brief review

Chance opened a path to commercial success for Conrad after years of slow progress and obscurity. This success could be measured by the record sale of the book in 1914, which outsold all his previous publications and shot him to fame.[4]

Breaking away from the tradition, Chance dealt with social issues surrounding feminism and financial speculation enacted by Mrs. Fyne and Flora de Barral, as presented by the narrators. The storyline of the novel oscillates between human-will and activity juxtaposed with an apathetic force that can nullify the importance of human action. The complex style of Conrad's narrative in this novel invited widespread criticisms from peers and readers alike.[4]

References

  1. "Conrad's Critique of the Serial Romance: Chance and The Rover". jhu.edu. Retrieved February 20, 2014.
  2. "Solitude in Literary Fiction". hermitary.com. Retrieved February 20, 2014.
  3. "Chance". librivox.org. Retrieved February 20, 2014.
  4. 1 2 Bronstein, Michaela. "Chance". modernism.research.yale.edu. Retrieved February 20, 2014.


This article is issued from Wikipedia - version of the 8/22/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.