Broadway In Chicago

Broadway In Chicago is a theatrical production company. It was formed in July 2000 by the Nederlander Organization to present touring Broadway productions in Chicago and to operate three theaters in downtown Chicago, a number that has since grown to five theaters.

Theaters

Broadway In Chicago operates in five venues in downtown Chicago including the PrivateBank Theatre (18 W. Monroe St.), Oriental Theatre (24 W. Randolph St.), Cadillac Palace Theatre (151 W. Randolph St.), the Auditorium Theatre (50 E. Congress Pkwy.), and the Broadway Playhouse at Water Tower Place (175 E. Chestnut St.)

PrivateBank Theatre

Main article: PrivateBank Theatre
Auditorium of the PrivateBank Theatre.

The PrivateBank Theatre opened as the Majestic Theatre in 1906. It was Chicago's first million-dollar-plus venue and Chicago's tallest building at the time. The Majestic Theatre closed during the Great Depression and was shuttered for 15 years however, most of the original design was retained when the theatre was remodeled and then reopened in 1945.

The PrivateBank Theatre has hosted pre-Broadway world premieres Monty Python's Spamalot and Cyndi Lauper's Kinky Boots. The PrivateBank Theatre featured a two and a half year run of the musical Jersey Boys that closed in January 2010, and a 10-month run of The Book of Mormon that closed in October 2013.

Oriental Theatre

The Oriental Theatre in downtown Chicago.

The Oriental Theatre opened on May 8, 1926, and was designed by George L. and Cornelius W. Rapp for the theatre managers Balaban and Katz.[1]

In 1930, during a record-breaking week, as many as 124,985 patrons visited the Oriental Theatre to see the hit film "Flight". Management changed hands several times in the subsequent decades, but the Oriental Theatre continued to feature films until the early 1970s, when the M&R Amusement Company briefly presented live performances by artists such as Stevie Wonder, Gladys Knight and the Pips and Little Richard.

The theater soon fell into disrepair. In an effort to preserve the theatre, it was added to the Federal National Register of Historic Places in 1978, however the building continued to crumble. The Oriental Theatre was closed to the public in 1981, and the site was considered for a two-story, 50,000-square-foot (4,600 m2) shopping mall and a 1,600 seat cinema.[2] In 1996, Mayor Richard M. Daley, announced that the Oriental would be restored to its original grandeur for the presentation of live stage musicals by Livent, Inc. The Oriental Theatre was renamed the Ford Center for the Performing Arts in 1997, and in October 1998 the restoration of the theatre was completed. The Ford Center for the Performing Arts served as home to an open run of Wicked from June 2005 to January 2009.[3]

Cadillac Palace Theatre

The Cadillac Palace Theatre is located in the Chicago Loop area.

The Palace Theatre opened in Chicago on October 4, 1926 and was designed by the Rapp Brothers. The theatre's distinctive characteristics include a lobby richly appointed in large decorative mirrors and breche violet and white marble, which sweep majestically through a succession of lobbies and foyers.

The theatre originally opened as the flagship of vaudeville's Orpheum Circuit, and among the stars believed to have played at the Palace in its early years were Jimmy Durante, Mae West, Jack Benny, Sophie Tucker and Bob Hope. Despite the popularity of Vaudeville's acts, audiences in the late 1920s and early 1930s had begun to lose interest in vaudeville, and in 1931 the theatre was converted into a movie palace. Initially, the Palace presented films with live stage shows, and then eventually showed only movies. Movie audiences began to stay at home to watch television in the 1950s, and theatre managers, hoping to attract larger audiences, tried to book occasional tour companies of Broadway shows, such as Gentlemen Prefer Blondes with Carol Channing, Guys and Dolls with Vivian Blaine, and The King and I with Yul Brynner and Patricia Morison.

During the late 1950s, the Palace became equipped to show films in Cinerama. In the mid-1970s, management of the Bismarck Hotel transformed the Palace into a banquet hall, removing all the seats in the orchestra and leveling the stage with the floor. The Palace, which was renamed the Bismarck Theatre in 1984, was converted into a rock venue. It was used sporadically during the 1990s however, in 1999 the Bismark Theatre was completely restored for live theatre and was renamed the Cadillac Palace Theatre.

The Cadillac Palace opened with the premiere of Elton John and Tim Rice's Aida and since then, has been the home to several pre-Broadway hits including The Producers and Mamma Mia! as well as long-run engagements of The Lion King and The Color Purple.[4]

Auditorium Theatre

Main article: Auditorium Building

Broadway In Chicago and Auditorium Theatre of Roosevelt University formed a long-term alliance that allows Broadway In Chicago the theatrical rights to book the Auditorium Theatre.

The Auditorium was opened in 1889 by architects Louis Sullivan and Dankmar Adler. The Auditorium building was the first multi-purpose building incorporating a hotel, offices and retail spaces along with the theatre, and one of the first public buildings to use electric lighting and air conditioning.

Broadway Playhouse at Water Tower Place

Broadway In Chicago and the Water Tower Place shopping center announced the addition of a new venue, the Broadway Playhouse at Water Tower Place, 175 E. Chestnut Street. Broadway In Chicago has entered into a long-term agreement with General Growth Properties (owner and manager of Water Tower Place) that will allow the theatre, formerly known as the Drury Lane at Water Tower Place, to re-open as the Broadway Playhouse at WaterTower Place.

Economic impact

Since 2001, Broadway In Chicago has had an attendance of over 6.5 million, with an annual attendance of 1.5 million and rising. Broadway In Chicago has contributed to the revitalization of Chicago’s Theater District and is currently the fifth largest tourist attraction in Chicago. Approximately 42% of audiences travel from out of state for long-running productions, and of these out of town patrons, 82% attribute the production as the main reason for their visit to Chicago. Broadway In Chicago provides over 7,500 jobs and has an economic impact of over $635 million each year. In addition, Broadway In Chicago audiences spend more than $75 million at local restaurants and account for 500,000 hotel room occupancies each year, which is 6% of Chicago's annual total of hotel rooms used.[5]

Broadway In Chicago also contributes to various public benefits throughout the City of Chicago by providing complimentary tickets to many charitable organizations and also to the Chicago Public Schools. Other public benefits include a field trip reward program, special access programs for seniors, and discounted programs for many of Chicago youth groups.[6][7]

Notable productions

Chicago has been the home to many pre-Broadway productions because of Broadway In Chicago. These productions include The Pirate Queen, The Producers, Movin' Out, Mamma Mia!, Aida, All Shook Up, Sweet Smell of Success, Tallulah, A Thousand Clowns, Sweet Charity, Spamalot, Blast!, The Addams Family, Kinky Boots, Big Fish and The Last Ship. Broadway In Chicago was also responsible for bringing many long-run productions to the city including Wicked, The 25th Annual Putnam County Spelling Bee, Disney’s The Lion King, Jersey Boys, Ragtime, and The Book of Mormon and Hamilton.

References

  1. Newman, Scott A (1998-08-08), Jazz Age Chicago — Theater News Archive, archived from the original on October 6, 2007, retrieved 2007-12-13
  2. Newman, Scott A (1997-01-12), Jazz Age Chicago — Oriental Theater, archived from the original on May 11, 2008, retrieved 2007-12-13
  3. Oxman, Steven (2007-01-22), "Touring shows stay in the loop: Broadway in Chicago boost economy", Variety
  4. Broadway In Chicago Theatre Archive Retrieved on July 25-2008
  5. Theaters Creating Thousands of Jobs, Mayor Daley Told, 2007-01-16
  6. Burghart, Tara (2007-01-16), "Study Outlines Chicago Theater Impact", San Francisco Chronicle
  7. Associated Press - Study Outlines Chicago Theater Impact (January 16, 2007) Retrieved on January 5-2008.

External links

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