Black Hawk Down (film)

Black Hawk Down

Theatrical release poster
Directed by Ridley Scott
Produced by Jerry Bruckheimer
Ridley Scott
Screenplay by Ken Nolan
Based on Black Hawk Down
by Mark Bowden
Starring Josh Hartnett
Ewan McGregor
Tom Sizemore
Eric Bana
William Fichtner
Ewen Bremner
Sam Shepard
Music by Hans Zimmer
Cinematography Sławomir Idziak
Edited by Pietro Scalia
Distributed by Columbia Pictures
Release dates
  • December 28, 2001 (2001-12-28) (Limited)
  • January 18, 2002 (2002-01-18) (Worldwide)
Running time
144 minutes
Country United States
United Kingdom
Language English
Budget $92 million[1]
Box office $173 million[1]

Black Hawk Down is a 2001 British-American war film co-produced and directed by Ridley Scott. The screenplay by Ken Nolan is adapted from the book of the same name by Mark Bowden, which in turn is based on a series of articles published in The Philadelphia Inquirer. The 29-part series chronicled the events of a 1993 raid in Mogadishu by the U.S. military aimed at capturing faction leader Mohamed Farrah Aidid and the ensuing firefight, known as the Battle of Mogadishu.

The film features a large ensemble cast, including Josh Hartnett, Ewan McGregor, Eric Bana, Tom Sizemore, William Fichtner, Jason Isaacs, Tom Hardy, and Sam Shepard. It won two Oscars for Best Film Editing and Best Sound Mixing at the 74th Academy Awards.[2] The movie was received positively by American film critics, but was strongly criticized by a number of other groups and military officials.[3]


In 1993, following the ousting of the central government and start of a civil war, a major United Nations military operation in Somalia is authorized with a peacekeeping mandate. After the bulk of the peacekeepers are withdrawn, the Mogadishu-based militia loyal to Mohamed Farrah Aidid have declared war on the remaining UN personnel. In response, U.S. Army Rangers, Delta Force counter-terrorist operators, and 160th SOAR aviators are deployed to Mogadishu to capture Aidid, who has proclaimed himself president of the country.

To cement his power and subdue the population in the south, Aidid and his militia seize Red Cross food shipments, while the UN forces are powerless to directly intervene. Outside Mogadishu, Rangers and Delta Force capture Osman Ali Atto, a faction leader selling arms to Aidid's militia. Shortly thereafter, a mission is planned to capture Omar Salad Elmi and Abdi Hassan Awale Qeybdiid, two of Aidid's top advisers.

The U.S. forces include experienced men as well as new recruits, including PFC Todd Blackburn and a desk clerk, SPC Grimes, going on his first mission. When his Lieutenant is removed from duty after having an epileptic seizure, Staff Sergeant Matthew Eversmann is placed in command of Ranger Chalk Four, his first command.

The operation begins and Delta Force operators capture Aidid's advisers inside the target building. The Rangers and helicopters escorting the ground-extraction convoy take heavy fire, while Eversmann's Chalk Four is dropped a block away by mistake. Blackburn is severely injured after falling from one of the Black Hawk helicopters, so three Humvees led by SSG Jeff Struecker are detached from the convoy to return Blackburn to the UN-held Mogadishu Airport.

SGT Dominick Pilla is shot and killed just as Struecker's column departs, and shortly thereafter Black Hawk Super Six-One, piloted by CWO Clifton "Elvis" Wolcott, is shot down by a rocket-propelled grenade and crashes. Both pilots are killed, the two crew chiefs are wounded, and one Delta Force sniper on board escapes in another helicopter.

The ground forces are rerouted to converge on the crash site. The Somali militia erects roadblocks, and LTC Danny McKnight's Humvee column is unable to reach the crash site, while sustaining heavy casualties. Meanwhile, two Ranger Chalks, including Eversmann's unit, reach Super-Six One's crash site and set up a defensive perimeter to await evacuation with the two wounded men and the fallen pilots. In the interim, Super Six-Four, piloted by CWO Michael Durant, is also shot down by an RPG and crashes several blocks away.

With CPT Mike Steele's Rangers pinned down and sustaining heavy casualties, no ground forces can reach Super Six-Four 's crash site nor reinforce the Rangers defending Super Six-One. Two Delta Force snipers, SFC Randy Shughart and MSG Gary Gordon are inserted by helicopter to Super Six-Four 's crash site, where they find Durant still alive. The site is eventually overrun, Gordon and Shughart are killed, and Durant is captured by Aidid's militia.

McKnight's column gives up the attempt to reach Six-One's crash site and returns to base with their prisoners and the casualties. The men prepare to go back to extract the Rangers and the fallen pilots, and MG Garrison sends LTC Joe Cribbs to ask for reinforcements from the 10th Mountain Division, including Malaysian and Pakistani armored units.

As night falls, Aidid's militia launch a sustained assault on the trapped Americans at Super Six-One's crash site. The militants are held off throughout the night by strafing runs and rocket attacks from AH-6J Little Bird helicopter gunships, until the 10th Mountain Division's relief column is able to reach and save the American soldiers. The wounded and casualties are evacuated in the vehicles, but a handful of Rangers and Delta Force soldiers are forced to run from the crash site back to the stadium, in the Pakistani Compound UN Safe Zone.


75th Rangers

Delta Force

160th SOAR (Night Stalkers)


Background and production

Adapting Black Hawk Down: a Story of Modern War by Mark Bowden was the idea of director Simon West, who suggested to Jerry Bruckheimer that he should buy the film rights and let West direct. West moved on to direct Lara Croft: Tomb Raider (2001) instead.[4]

Ken Nolan was credited as screenwriter, and others contributed uncredited: Mark Bowden wrote an adaptation of his own book, Steven Gaghan was hired to do a rewrite, Steven Zaillian and Ezna Sands rewrote the majority of the Gaghan and Nolan's work, Sam Shepard (MGen. Garrison) wrote some of his dialogue, and Eric Roth wrote Josh Hartnett and Eric Bana's concluding speeches. Ken Nolan was on set for four months rewriting his script and the previous work by Gaghan, Zaillian, and Bowden. He was given sole screenwriting credit by a WGA committee.

Filming began in March 2001 in Salé, Morocco, and concluded in late June.[5]

The book relied on a dramatization of participant accounts, which were the basis of the movie. SPC John Stebbins was renamed as fictional "John Grimes." Stebbins had been convicted by court martial, in 1999, for sexually assaulting his daughter.[6] Mark Bowden said the Pentagon, ever sensitive about public image decided to alter factual history by requesting the change.[7] Bowden wrote early screenplay drafts, before Bruckheimer gave it to screenwriter Nolan. The POW-captor conversation, between pilot Mike Durant and militiaman Firimbi, is from a Bowden script draft.

For military verisimilitude, the Ranger actors took a one-week Ranger familiarization course at Fort Benning, the Delta Force actors took a two-week commando course from the 1st Special Warfare Training Group at Fort Bragg, and Ron Eldard and the actors playing 160th SOAR helicopter pilots were lectured by captured aviator Michael Durant at Fort Campbell.

The U.S. Army supplied the materiel and the helicopters from the 160th Special Operations Aviation Regiment. Most pilots (e.g., Keith Jones, who speaks some dialogue) had participated in the historic battle on October 3–4, 1993.[8]

On the last day of their week-long Army Ranger orientation at Fort Benning, the actors who portrayed the Rangers received letters slipped under their doors. It thanked them for their hard work, and asked them to "tell our story true", signed with the names of the men who died in the Mogadishu firefight.[8] A platoon of Rangers from B-3/75 did the fast-roping scenes and appeared as extras; John Collette, a Ranger Specialist during the battle, served as a stunt performer.[9]

Many of the actors bonded with the soldiers who trained them for their roles. Actor Tom Sizemore said, "What really got me at training camp was the Ranger Creed. I don't think most of us can understand that kind of mutual devotion. It's like having 200 best friends and every single one of them would die for you".[8]

Although the filmmakers considered filming in Jordan, they found the city of Amman too built up and landlocked. Scott and production designer Arthur Max subsequently turned to Morocco, where they had previously worked on Gladiator. Scott preferred that urban setting for authenticity.[8] Most of the film was photographed in the cities of Rabat and Salé; the Task Force Ranger base sequences were filmed at Kénitra.[10]

To keep the film at a manageable length, 100 key figures in the book were condensed to 39. The movie also does not feature any Somali actors.[11] Additionally, no Somali consultants were hired for accuracy, according to writer Bowden.[12]

The film features soldiers wearing helmets with their last names on them. Although this was not accurate, director Ridley Scott used this device to help the audience distinguish among the characters because "they all look the same once the uniforms are on".[13]


Box office performance

Black Hawk Down had a limited release in four theaters on December 28, 2001, in order to be eligible for the 2001 Oscars. It earned $179,823 in its first weekend, averaging $44,956 per theater. On January 11, 2002, the release expanded to 16 theaters and continued to do well with a weekly gross of $1,118,003 and an average daily per theater gross of $9,982. On January 18, 2002, the film had its wide release, opening at 3,101 theaters and earning $28,611,736 in its first wide release weekend to finish first at the box office for the weekend. Opening on the Martin Luther King holiday, the film grossed $5,014,475 on the holiday of Monday, January 21, 2002, for a 4-day weekend total of $33,628,211. Only Titanic had previously grossed more money over the Martin Luther King holiday weekend. Black Hawk Down finished first at the box office during its first three weeks of wide release. When the film was pulled from theatres on April 14, 2002, after its 15th week, it had grossed $108,638,746 domestically and $64,350,906 overseas for a worldwide total of $172,989,651.[1]

Critical response

The film received many positive reviews from mainstream critics. Empire magazine gave it a verdict of "ambitious, sumptuously framed, and frenetic, Black Hawk Down is nonetheless a rare find of a war movie which dares to turn genre convention on its head".[14]

Film critic Mike Clark of USA Today wrote that the film "extols the sheer professionalism of America's elite Delta Force – even in the unforeseen disaster that was 1993's Battle of Mogadishu," and praised Scott's direction: "in relating the conflict, in which 18 Americans died and 70-plus were injured, the standard getting-to-know-you war-film characterizations are downplayed. While some may regard this as a shortcoming, it is, in fact, a virtue".[15]

It has a 76% "Certified Fresh" rating on Rotten Tomatoes, with its critics consensus being: "Though it's light on character development and cultural empathy, Black Hawk Down is a visceral, pulse-pounding portrait of war, elevated by Ridley Scott's superb technical skill."[16] It has a rating of 74 on Metacritic, indicating "generally favorable reviews".[17]

The film has had a small cultural legacy, which has been studied academically by media analysts dissecting how media reflects American perceptions of war. Newsweek writer Evan Thomas considered the movie one of the most culturally significant films of the George W. Bush presidency. He suggested that although the film was presented as being anti-war, it was at its core pro-war. He further wrote that "though it depicted a shameful defeat, the soldiers were heroes willing to die for their brothers in arms[...] The movie showed brutal scenes of killing, but also courage, stoicism and honor[...] The overall effect was stirring, if slightly pornographic, and it seemed to enhance the desire of Americans for a thumping war to avenge 9/11."[18]

Stephen A. Klien, writing in Critical Studies in Media Communication, argued that the film's sensational rendering of war had the effect of encouraging audiences to empathize with the film's pro-soldier leitmotif. He suggested that this in turn served to "conflate personal support of American soldiers with support of American military policy" and discourage "critical public discourse concerning justification for and execution of military interventionist policy."[19]



Black Hawk Down received four Academy Award nominations, including Best Director (lost to A Beautiful Mind) and Best Cinematography (lost to The Lord of the Rings: The Fellowship of the Ring), and won two Oscars: Best Sound Mixing and Best Film Editing. It also received three BAFTA Award nominations: Best Cinematography, Best Sound and Best Editing.

Award Category Nominee Result
NBR Award Top Ten Films Won
AFI Award Cinematographer of the Year Slawomir Idziak Nominated
Director of the Year Ridley Scott Nominated
Editor of the Year Pietro Scalia Nominated
Movie of the Year Jerry Bruckheimer
Ridley Scott
Production Designer of the Year Arthur Max Nominated
Academy Award Best Film Editing Pietro Scalia Won
Best Sound Mixing Michael Minkler
Myron Nettinga
Chris Munro
Best Cinematography Slawomir Idziak Nominated
Best Director Ridley Scott Nominated
Saturn Award Best Action/Adventure/Thriller Film Nominated
Eddie Award Best Edited Feature Film – Dramatic Pietro Scalia Won
ADG Excellence in Production Design Award Contemporary Film Keith Pain
Marco Trentini
Gianni Giovagnoni
Cliff Robinson
Pier Luigi Basile
Ivo Husnjak
Arthur Max
Harry Award Won
BAFTA Award Best Cinematography Slawomir Idziak Nominated
Best Editing Pietro Scalia Nominated
Best Sound Chris Munro
Per Hallberg
Michael Minkler
Myron Nettinga
Karen Baker Landers
Golden Reel Award Best Sound Editing – Dialogue and ADR in a Feature Film Per Hallberg
Karen Baker Landers
Chris Jargo
Mark L. Mangino
Chris Hogan
Best Sound Editing – Effects & Foley, Domestic Feature Film Per Hallberg
Karen Baker Landers
Craig S. Jaeger
Jon Title
Christopher Assells
Dino Dimuro
Dan Hegeman
Michael A. Reagan
Gregory Hainer
Perry Robertson
Peter Staubli
Bruce Tanis
Michael Hertlein
Solange S. Schwalbe
Plus Camerimage Golden Frog Slawomir Idziak Nominated
Cinema Audio Society Award Outstanding Sound Mixing for Motion Pictures Michael Minkler
Myron Nettinga
Chris Munro
Directors Guild of America Award Outstanding Directorial Achievement in Motion Pictures Ridley Scott Nominated
Golden Trailer Award Best Drama Trailer Park, Inc. Nominated
MTV Movie Award Best Movie Nominated
Best Action Sequence First helicopter crash Nominated
PFCS Award Best Acting Ensemble Eric Bana
Ewen Bremner
William Fichtner
Josh Hartnett
Jason Isaacs
Ewan McGregor
Sam Shepard
Tom Sizemore
Best Cinematography Slawomir Idziak Nominated
Best Film Editing Pietro Scalia Nominated
Teen Choice Award Choice Movie Actor: Action/Drama Josh Hartnett Nominated
Choice Movie: Action/Drama Nominated
World Soundtrack Award Best Original Soundtrack of the Year Hans Zimmer Nominated
Soundtrack Composer of the Year Nominated
Writers Guild of America Award Best Screenplay Based on Material Previously Produced or Published Ken Nolan Nominated
ASCAP Award Top Box Office Films Hans Zimmer (also for The Ring) Won
DVD Exclusive Award Best Overall DVD, New Movie (Including All Extra Features) Charles de Lauzirika (Deluxe Edition)Nominated
Saturn Award Best DVD Special Edition Release Nominated

Controversies and inaccuracies

Soon after Black Hawk Down's release, the Somali Justice Advocacy Center in California denounced what they felt was its brutal and dehumanizing depiction of Somalis and called for its boycott.[3]

In a radio interview, Brendan Sexton, an actor who briefly appeared in the movie, said the version of the film which made it onto theater screens significantly differed from the one recounted in the original script. According to him, many scenes asking hard questions of the US regarding the violent realities of war and the true purpose of their mission in Somalia were cut.[20]

In a review featured in The New York Times, film critic Elvis Mitchell expressed dissatisfaction with the film's "lack of characterization", and opined that the film "reeks of glumly staged racism".[21] Owen Gleiberman and Sean Burns, the film critics for the mainstream magazine Entertainment Weekly and the alternative newspaper Philadelphia Weekly, respectively, echoed the sentiment that the depiction was racist.[22]

American film critic Wheeler Winston Dixon also found the film's "absence of motivation and characterization" disturbing, and wrote that while American audiences might find the film to be a "paean to patriotism", other audiences might find it to be a "deliberately hostile enterprise"; nevertheless, Dixon lauded the film's "spectacular display of pyrotechnics coupled with equally adroit editing."[23]

Jerry Bruckheimer, the film's producer, rejected such claims on The O'Reilly Factor, putting them down to political correctness in part due to Hollywood's liberal leanings.[24]

Somali nationals charge that the African actors chosen to play the Somalis in the film do not resemble the culturally unique features of the Horn of Africa nor does the language they communicate in sound like the Afro-Asiatic tongue spoken by the Somali people, and claim the abrasive way lines are delivered and lack of authenticy regarding Somali culture fails to capture the tone, mannerisms and spirit of actual life in Somalia. No Somali actors were used in the movie.[11]

In an interview with the BBC, the faction leader Osman Ali Atto said that many aspects of the film are factually incorrect. Taking exception with the ostentatious character chosen to portray him Ali Atto claimed he neither looks like the actor who portrayed him, smoke cigars, or wear earrings,[25] all later confirmed by SEAL Team Six sniper Howard E. Wasdin in his 2012 memoirs. Wasdin also indicated that while the character in the movie ridiculed his captors, in reality Atto seemed concerned that Wasdin and his men had been sent to kill rather than apprehend him.[26] Atto additionally stated that he had not been consulted about the project or approached for permission, and that the film sequence re-enacting his arrest contained several inaccuracies:[25]

First of all when I was caught on 21 September, I was only travelling with one Fiat 124, not three vehicles as it shows in the film[...] And when the helicopter attacked, people were hurt, people were killed[...] The car we were travelling in, (and) I have got proof, it was hit at least 50 times. And my colleague Ahmed Ali was injured on both legs[...] I think it was not right, the way they portrayed both the individual and the action. It was not right.[25]

Navy SEAL Wasdin similarly remarked that while olive green military rigger's tape was used to mark the roof of the car in question in the movie, his team in actuality managed to track down Atto's whereabouts using a much more sophisticated technique involving the implantation of a homing device. (This was hidden in a cane presented to Atto as a gift from a contact who routinely met with him, which eventually led the team directly to the faction leader.[26])

Malaysian military officials whose own troops were involved in the fighting have likewise raised complaints regarding the film's accuracy. Retired Brigadier-General Abdul Latif Ahmad, who at the time commanded Malaysian forces in Mogadishu, told the AFP news agency that Malaysian moviegoers would be under the wrong impression that the real battle was fought by the Americans alone with Malaysian troops relegated to "mere bus drivers to ferry them out". The film does portray Malaysians contributing to the battle from their vehicles.[27]

General Pervez Musharraf, who later became President of Pakistan after a coup, similarly accused the filmmakers of not crediting the work done by the Pakistani soldiers. In his autobiography In the Line of Fire: A Memoir, Musharraf wrote:

The outstanding performance of the Pakistani troops under adverse conditions is very well known at the UN. Regrettably, the film Black Hawk Down ignores the role of Malaysia and Pakistan in Somalia. When U.S. troops were trapped in the thickly populated Madina Bazaar area of Mogadishu, it was the Seventh Frontier Force Regiment of the Pakistan Army that reached out and extricated them. The bravery of the U.S. troops notwithstanding, we deserved equal, if not more, credit; but the filmmakers depicted the incident as involving only Americans.[28]

See also


  1. 1 2 3 "Black Hawk Down (2001)". Box Office Mojo. Retrieved 2007-10-26.
  2. "The 74th Academy Awards (2002) Nominees and Winners". Retrieved 2011-11-19.
  3. 1 2 "Black Hawk Rising". Retrieved 2014-09-15.
  4. "Black Hawk Down". The Hollywood Reporter. 401. 2007. p. 94.
  5. Production Notes.
  6. "Text of the decision from". Retrieved 2011-02-21.
  7. Turner, Megan (2001-11-18). "War-Film "Hero" Is A Rapist". New York Post. Retrieved 2006-12-10.
  8. 1 2 3 4 Rubin, Steven Jay (2011). "Black Hawk Down". Combat Films: American Realism, 1945-2010 (2 ed.). McFarland. pp. 257–262. ISBN 978-0-7864-5892-9.
  9. Laurence, John Shelton; McGarrahan, John G. (2008). "Operation Restore Honor in Black Hawk Down". In Peter C. Rollins, John E. O’Connor. Why we fought: America's wars in film and history. University Press of Kentucky. p. 431. ISBN 978-0-8131-9191-1.
  10. Raw, Laurence (2009). The Ridley Scott Encyclopedia. Scarecrow Press. Lanham, Maryland. p. 209. ISBN 978-0-8108-6951-6.
  11. 1 2 "Somalis flock to bootleg 'Black Hawk'". Retrieved 2011-02-21.
  12. "Institute for Social and Cultural Communications". Z Magazine. 15 (1-6): 6. 2002.
  13. Montalbano, Dave (2010). The Adventures of Cinema Dave in the Florida Motion Picture World. Xlibris Corporation. California. p. 541. ISBN 978-1-4500-2396-2.
  14. Dinning, Mark. "Empire's Black Hawk Down Movie Review". Retrieved 2011-11-05.
  15. Clark, Mike (2001-12-28). "Black Hawk' turns nightmare into great cinema". USA Today. Retrieved 2011-11-14.
  16. "Black Hawk Down". Rotten Tomatoes. Flixter. Retrieved 2009-11-08.
  17. "Black Hawk Down". Metacritic. CBS Interactive. Retrieved 2009-11-08.
  18. (2008-12-12). "'Black Hawk Down': Arts and culture in the Bush era"., Newsweek. Retrieved 2011-10-23.
  19. (2010-12-21). "Black Hawk Down, Down, Down: Three Perspectives on the Film" Archived March 19, 2012, at the Wayback Machine.. Retrieved 2011-10-23.
  20. "As 'Black Hawk Down' Director Ridley Scott Is Nominated for An Oscar, An Actor in the Film Speaks Out Against Its Pro-War Message". Retrieved 2011-02-21.
  21. Mitchell, Elvis (2001-12-28). "Mission Of Mercy Goes Bad In Africa". The New York Times. Retrieved 2010-04-26.
  22. "Sean Burns: "Ridley Scott and Jerry Bruckheimer's latest is racist crap"". Retrieved 2011-02-21.
  23. Wheeler Winston Dixon, 2003, Wallflower Press, London and New York, Visions of the Apocalypse: Spectacles of Destruction in American Cinema, Retrieved November 28, 2014, ISBN 1-903364-74-4 (paperback) ISBN 1-903364-38-8 (hardcover), see page 76, lines 11-15
  24. "Defending Black Hawk Down". 2002-01-15. Retrieved 2011-02-21.
  25. 1 2 3 "Warlord thumbs down for Somalia film". BBC News. January 29, 2002. Retrieved February 3, 2012.
  26. 1 2 Wasdin, Howard (2011). SEAL Team Six – Memoirs of a US Navy Sniper. pp. 225–226.
  27. "Jingoism jibe over Black Hawk Down". BBC News. 2002-01-21. Retrieved 2010-01-01.
  28. Pervez Musharraf, In the Line of Fire: A Memoir, (Free Press: 2006), p. 76.

External links

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