Belle (2013 film)

Belle

Theatrical release poster
Directed by Amma Asante
Produced by Damian Jones
Written by Misan Sagay
Starring
Music by Rachel Portman
Cinematography Ben Smithard
Edited by Pia Di Ciaula
Victoria Boydell
Production
companies
Distributed by Fox Searchlight Pictures
Release dates
  • 8 September 2013 (2013-09-08) (TIFF)
  • 2 May 2014 (2014-05-02) (United States)
  • 13 June 2014 (2014-06-13) (United Kingdom)
Running time
104 minutes[1]
Country United Kingdom
Language English
Budget $10.9 million
Box office $16.5 million[2]

Belle is a 2013 British period drama film directed by Amma Asante, written by Misan Sagay and produced by Damian Jones. It stars Gugu Mbatha-Raw, Tom Wilkinson, Miranda Richardson, Penelope Wilton, Sam Reid, Matthew Goode, Emily Watson, Sarah Gadon, Tom Felton and James Norton.[3][4]

The film is inspired by the 1779 painting of Dido Elizabeth Belle beside her cousin Lady Elizabeth Murray, at Kenwood House, which was commissioned by their great-uncle, William Murray, 1st Earl of Mansfield, then Lord Chief Justice of England. Very little is known about the life of Dido Belle, who was born in the West Indies and was the illegitimate mixed-race daughter of Mansfield's nephew. She is found living in poverty by her father and entrusted to the care of Mansfield and his wife. The fictional film centres on Dido's relationship with an aspiring lawyer; it is set at a time of legal significance, as a court case is heard on what became known as the Zong massacre, when slaves were thrown overboard from a slave ship and the owner filed with his insurance company for the losses. Lord Mansfield rules on this case in England's Court of King's Bench in 1786, in a decision seen to contribute to the abolition of slavery in Britain.

Plot

Dido Elizabeth Belle Lindsay was born in 1761, the natural daughter of Maria Belle, an enslaved African woman in the West Indies, and Captain Sir John Lindsay, a British Royal Navy officer. After the death of Dido's mother, Captain Lindsay takes Dido from the slums of the West Indies in 1765 and entrusts her to his uncle William Murray, 1st Earl of Mansfield, the Lord Chief Justice, and his wife, Elizabeth, who live at Kenwood House, an estate in Hampstead outside London. Lord and Lady Mansfield raise Dido as a free gentlewoman, together with their niece Lady Elizabeth Murray, who came to live with them after her mother died and her father remarried. When the two cousins reach adulthood, the Mansfields commission an oil portrait of their two great-nieces, but Dido is unhappy about sitting for it as she is worried that it will portray her as a subordinate, like other portraits she has seen depicting aristocrats with black servants. Dido's father dies and leaves her the generous sum of £2,000 a year, enough to make her an heiress. Lady Elizabeth, by contrast, will have no income from her father, whose son from his new wife has been named his sole heir. Arrangements are made for Elizabeth to have her coming out to society, but Lord and Lady Mansfield believe no gentleman will agree to marry Dido because of her mixed-race status, so while she will travel to London with her cousin, she will not be "out" to society.

Lord Mansfield agrees to take a vicar's son, John Davinier, into an apprenticeship for law. In 1783, Mansfield hears the case of Gregson v. Gilbert, regarding the payment of an insurance claim, for slaves killed when thrown overboard by the captain of a slave-ship an event now known as the Zong massacre. Dido helps her uncle with his correspondence and after John tells her about the Zong case, she begins sneaking correspondence to him which he believes will advance the cause of the abolitionists. Lord Mansfield and John have a disagreement on the main issue of the case. John is told not to see Dido again, and his apprenticeship is at an end. Dido’s aunts, Lady Mansfield and Lady Mary Murray, Lord Mansfield's sister, seek to steer Dido into an engagement with Oliver Ashford, son of a scheming grand dame and younger brother to the bigoted James Ashford. At first James is interested in Elizabeth but stops courting her once he finds out she will have no inheritance. Oliver, who is without fortune, proposes to Dido and she accepts, even though she continues to see John. James takes Dido apart, tells her she will disgrace his family's name, then insults and manhandles her. Dido would later tell Elizabeth of his true character and says she will give part of her inheritance to her for a dowry so she can find a different match. Lord Mansfield finds out about Dido's visits to John and confronts both of them. During the confrontation, John professes his love for Dido. Sometime later, Dido meets with Oliver and breaks off their engagement.

Dido is relieved when the painting is unveiled, showing her as Elizabeth's equal. She tells Lord Mansfield that the portrait commission proves that he can defy convention. Dido sneaks into the balcony of the Inn of Court, so that she can hear Lord Mansfield narrowly rule that the Gregson slave-trading syndicate, based in Liverpool, is not due insurance payments for the slaves the crew threw overboard during the voyage. The ship's officers claimed they ordered this action because they were out of potable water. Lord Mansfield discovers, however, that the Zong passed by many ports without stopping for more water, before killing the slaves. It appeared to Lord Mansfield that the slaves were over-crowded, making them sick and not likely to fetch a high price at auction, so the officers decided they would be worth more in insurance payments after their loss. Lord Mansfield sees John and Dido outside the Court after his ruling and says that Dido can only marry a gentleman. Therefore, he agrees to resume John's apprenticeship in law, so that he can become a lawyer. Dido and John share a kiss, both in full acknowledgement of their romantic feelings.

On-screen text informs the viewer that Dido and John married and had two sons (while they actually had 3 sons in real life), that Elizabeth also married and had children, and that the painting hung at Kenwood House until 1922, when it was moved to Scone palace in Scotland, the birthplace of Lord Mansfield.

Cast

Painting

1779 painting of Dido Elizabeth Belle (1761–1804) and her cousin Lady Elizabeth Murray (1760–1825).

The 1779 painting, once thought to be by Johann Zoffany, is now attributed to an unknown artist.[6] The painting hung in Kenwood House until 1922 and now hangs at Scone Palace in Perthshire, Scotland. It was one of the first European portraits to portray a black women on an equal eye-line with a white aristocrat, though distinctions are implied by the poses, as Elizabeth's "formality and bookishness are contrasted with the wild and exotically turbanned 'natural' figure of Belle."[7][8]

The painting is replicated in the film with the faces of the actresses portraying the characters replacing those in the original. Dido's finger-to-cheek gesture is absent in the fictionalised version, as is her feathered turban. The original picture is shown on screen at the end of the film.

Production

Filming began on 24 September 2012. The film was shot on location in the Isle of Man,[9][10] Oxford[11] and London. It is the first major British motion picture to be shot in true-4K, using Sony’s F65 CineAlta digital production camera.[12] The film was produced by DJ Films, Isle of Man Film, and Pinewood Pictures with support from the BFI.[13]

Production designer Simon Bowles created the 18th-century Bristol Docks on the Isle of Man and created Kenwood House, based on a number of stately homes in the London area.

Original music for the film was composed by Rachel Portman.[14]

Historical references

The film is a work of historical fiction, inspired by a painting and the evidence that Dido was brought up at Kenwood House. The relative lack of details about Dido Elizabeth Belle allowed screenwriter Misan Sagay considerable artistic licence in framing the young woman's story, within the broader historical context of the slave economy and the abolition movement.

William Murray, 1st Earl of Mansfield, who was Lord Chief Justice of England from 1756 to 1788, presided over two important cases, Somerset v Stewart in 1772 and the Zong insurance claims case in 1783, which helped lay the groundwork for Britain's Slave Trade Act 1807. As in the film, he was the great-uncle of Dido Elizabeth Belle and Lady Elizabeth Murray.

At the suggestion of the producers, HarperCollins published a companion book by biographer Paula Byrne recounting the lives of the film's principal characters.

Historical accuracy

James Walvin OBE, professor emeritus of the University of York, said of Belle: "Much of the historical evidence is there – though festooned in the film with imaginary relishes and fictional tricks. Partly accurate, the whole thing reminded me of the classic Morecombe and Wise sketch with Andre Previn (Eric bashing away on the piano): all the right notes – but not necessarily in the right order."[15] Reviewing the film for History Extra, the official website of BBC History Magazine, Walvin noted that while the second half of the film centres on Dido Elizabeth Belle's involvement in the Zong case, in reality she was "nowhere to be found in the Zong affair".[15] In the film "Tom Wilkinson’s Mansfield finds his cold legal commercial heart softened, and edged towards abolition by the eyelash-fluttering efforts of his stunning great niece" and his "adjudication becomes, not a point of law, but the first bold assertion towards the end of slavery". Walvin points out that "he merely stated that there should be another hearing of the Zong case – this time with evidence not known at the earlier hearing". Walvin awarded the film one star for enjoyment and two for historical accuracy.

Authorship

Some press coverage ahead of filming, cited Amma Asante as the sole writer of Belle, as well as director.[16] Press releases that followed Fox Searchlight's acquisition of the film, gave the final credit determined by the Writers Guild of America, West as "Written by Misan Sagay".[17][18] Baz Bamigboye of The Daily Mail wrote that cast members Tom Wilkinson and Penelope Wilton had expressed 'incredulity' at the accreditation decision, because Wilkinson and Wilton had "only seen and worked from a script written by Amma", whose writing and direction of her debut film won her the Carl Foreman award at the BAFTAs in 2005.[19][20] The article reported that Asante had been hired to re-draft an original screenplay written by Misan Sagay, after Sagay left the project due to serious ill-health. The subsequent arbitration process undertaken by the Writers Guild of America, determined that Sagay provided the bulk of content used in the script, so Sagay was awarded sole writing credit. Producer Damian Jones confirmed, "There was a WGA arbitration. The WGA made its decision on writing credits. And the production respects and abides by their decision."[19]

Release

In July 2013, it was announced that Fox Searchlight Pictures had acquired distribution rights for the film in the UK and USA.[21] Belle premiered at the 2013 Toronto International Film Festival on 8 September 2013.[22][23] The film was released on 2 May 2014 in the United States, 9 May in Canada and 13 June 2014 in the United Kingdom.[24]

Reception

The film received positive reviews from critics. Review aggregation website Rotten Tomatoes gives the film a "Certified Fresh" score of 83% based on reviews from 127 critics, with an average rating of 7/10. The site's consensus states, "It boasts all the surface beauty that fans of period pictures have come to expect, but Belle also benefits from its stirring performances and subtle social consciousness."[25] Critic Mark Kermode named it his fourth-favourite film of 2014.[26]

Accolades

Award Date of ceremony Category Recipients and nominees Result
African-American Film Critics Association[27] 8 December 2014 Best Actress Gugu Mbatha-Raw Won
Best Film Belle Nominated
Black Reel Awards[28][29] 19 February 2015 Best Actress Gugu Mbatha-Raw Won
Best Director Amma Asante Nominated
Best Ensemble Toby Whale Nominated
Best Film Belle Nominated
Best Screenplay Misan Sagay Nominated
British Independent Film Awards[30][31] 7 December 2014 Best Actress in a British Independent Film Gugu Mbatha-Raw Won
Best Newcomer Gugu Mbatha-Raw Nominated
Chicago Film Critics Association[32] 15 December 2014 Most Promising Performer Gugu Mbatha-Raw Nominated
Empire Awards[33] 29 March 2015 Best Female Newcomer Gugu Mbatha-Raw Nominated
London Film Critics' Circle[34] 18 January 2015 British Actress of the Year Gugu Mbatha-Raw Nominated
Miami International Film Festival[35] 15 March 2014 SIGNIS Award Belle Won
NAACP Image Award[36][37] 6 February 2015 Outstanding Actress in a Motion Picture Gugu Mbatha-Raw Nominated
Outstanding Directing in a Motion Picture Amma Asante Nominated
Outstanding Independent Motion Picture Belle Won
Outstanding Motion Picture Belle Nominated
Outstanding Writing in a Motion Picture Misan Sagay Won
Palm Springs International Film Festival[38][39] 3–13 January 2014 Audience Award for Best Narrative Feature Belle Nominated
Directors to Watch Amma Asante Won
Satellite Award[40] 15 February 2015 Best Actress in a Motion Picture Gugu Mbatha-Raw Nominated
Best Costume Design Anushia Nieradzik Nominated
Women Film Critics Circle[41][42] 16 December 2014 Best Female Images in a Movie Belle Nominated
Best Movie by a Woman Amma Asante Nominated
Best Woman Storyteller Misan Sagay Nominated
Karen Morley Award Belle Won

See also

References

  1. "BELLE (PG)". 20th Century Fox. British Board of Film Classification. 25 March 2014. Retrieved 27 March 2014.
  2. "Belle (2014)". Box Office Mojo. Amazon.com. Retrieved 28 July 2014.
  3. Mitchell, Wendy (2 November 2012). "Belle | Features | Screen". Screendaily.com. Retrieved 1 July 2013.
  4. Kemp, Stuart (2 November 2012). "Amma Asante Unveils First Glimpse of 'Belle'". The Hollywood Reporter. Retrieved 1 July 2013.
  5. "Tom Felton Rings The Belle". Empire. Retrieved 1 July 2013.
  6. "Dido and Elizabeth Portrait". English Heritage. Retrieved July 2013. Check date values in: |access-date= (help)
  7. Bindman, David, & Henry Louis Gates, The Image of the Black in Western Art, Harvard University Press, 2010, xviii.
  8. English Heritage, "Slavery and Justice at Kenwood House, Part 1" (PDF). English Heritage. Retrieved 16 June 2014.
  9. "Isle of Man praised by Belle movie team". BBC News. 9 October 2012. Retrieved 1 July 2013.
  10. "Filming of movie Belle 'to bring £1m' to Isle of Man". BBC News. 9 October 2012. Retrieved 1 July 2013.
  11. French, Andrew (23 October 2012). "Oxford is the backdrop for star-studded movie". Oxford Mail. Retrieved 1 July 2013.
  12. "Belle first major British 4K film". Cineuropa. Retrieved 1 July 2013.
  13. "Full cast announced for BAFTA Award winner Amma Asante's Belle". British Film Institute. 7 September 2012. Retrieved 1 July 2013.
  14. "Rachel Portman Scoring 'Belle'". Film Music Reporter. 8 May 2013. Retrieved 1 July 2013.
  15. 1 2 "Historian at the Movies: Belle reviewed". History Extra. 2 July 2014.
  16. Kemp, Stuart (7 September 2012). "Penelope Wilton and Tom Felton Join Cast of Amma Asante's 'Belle'". The Hollywood Reporter. Retrieved 1 July 2013.
  17. Cook, Cameron (22 July 2013). "Exclusive BELLE gallery at USA Today". Fox Searchlight. Retrieved 7 June 2014.
  18. Rosser, Michael (1 July 2013). "Fox Searchlight acquires Belle". Screendaily.com. Retrieved 7 June 2014.
  19. 1 2 Bamigboye, Baz (19 September 2013). "Ouch! Rival writers sharpen their nibs". Daily Mail. London. Retrieved 19 September 2013.
  20. "BAFTA Film Awards 2005". British Academy of Film and Television Arts. Retrieved 7 June 2014.
  21. Kemp, Stuart (1 July 2013). "Fox Searchlight Picks Up 'Belle' for North America, U.K.". Hollywood Reporter. Retrieved 1 July 2013.
  22. "Toronto film festival 2013: the full line-up". The Guardian. London. 23 July 2013. Retrieved 24 July 2013.
  23. "Belle". TIFF. Retrieved 7 August 2013.
  24. Internet Movie Database. "Belle Release Info". Retrieved 17 May 2014.
  25. "Belle (2014)". Rotten Tomatoes. Flixster.
  26. "My Top Ten Films of 2014 - Part 2". Kermode Uncut. BBC.
  27. Kilday, Gregg (8 December 2014). "African-American Film Critics Association Lauds 'Selma'". The Hollywood Reporter. Retrieved 13 December 2014.
  28. Tapley, Kristopher (17 December 2014). "'Dear White People,' 'Selma' lead 15th annual Black Reel Awards nominations". HitFix. Retrieved 3 January 2015.
  29. Tapley, Kristopher (20 February 2015). "'Selma' wins six Black Reel Awards, including best film". HitFix. Retrieved 15 March 2015.
  30. Alexander, Susannah (3 November 2014). "'71 and Pride lead British Independent Film Awards 2014 nominations". Digital Spy. Retrieved 16 December 2014.
  31. Ellis-Petersen, Hannah (8 December 2014). "Pride, '71 and Belle head prizes at British independent film awards". The Guardian. Retrieved 16 December 2014.
  32. ""Birdman" Leads 2014 CFCA Nominations". Chicago Film Critics Association. 12 December 2014. Retrieved 12 December 2014.
  33. Tobin, Christian (24 February 2015). "The Imitation Game leads Empire Awards 2015 nominations". Digital Spy. Retrieved 15 March 2015.
  34. Finbow, Katy (16 December 2014). "Mr Turner leads London Critics' Circle Film Awards nominations". Digital Spy. Retrieved 16 December 2014.
  35. "First SIGNIS Prize at the Miami International Film Festival 2014". SIGNIS. Retrieved 16 December 2014.
  36. Jue, Teresa (9 December 2014). "NAACP Image Awards announce nominations for film and TV". Entertainment Weekly. Retrieved 11 December 2014.
  37. "'Selma', 'Black-Ish,' 'HTGAWM' Dominate NAACP Image Awards – Complete Winners List". Deadline.com. 6 February 2015. Retrieved 16 February 2015.
  38. "Feature Festival Awards Archive". Palm Springs International Film Society. Retrieved 16 December 2014.
  39. Fessier, Bruce (3 January 2014). "Palm Springs film fest: 'Belle' director: 'It's an incredible weekend'". The Desert Sun. Retrieved 16 December 2014.
  40. Pond, Steve (1 December 2014). "'Birdman' Leads Satellite Awards Nominations". TheWrap. Retrieved 16 December 2014.
  41. Tapley, Kristopher (14 December 2014). "'The Homesman' leads 2014 Women Film Critics Circle nominations". HitFix. Retrieved 12 January 2015.
  42. Tapley, Kristopher (22 December 2014). "'Still Alice' cleans up at the Women Film Critics Circle Awards". HitFix. Retrieved 12 January 2015.

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