Arms and the Man

Arms and the Man
Written by	George Bernard Shaw
Characters	Raina Petkoff Sergius Saranoff Captain Bluntschli Catharine Petkoff Major Petkoff Louka Nicola[1][2]
Date premiered	21 April 1894 (1894-04-21)
Place premiered	Avenue Theatre
Subject	Love and war[3][4]

Arms and the Man is a comedy by George Bernard Shaw, whose title comes from the opening words of Virgil's Aeneid, in Latin: Arma virumque cano ("Of arms and the man I sing").

The play was first produced on 21 April 1894 at the Avenue Theatre and published in 1898 as part of Shaw's Plays Pleasant volume, which also included Candida, You Never Can Tell, and The Man of Destiny. Arms and the Man was one of Shaw's first commercial successes. He was called onto stage after the curtain, where he received enthusiastic applause. Amidst the cheers, one audience member booed. Shaw replied, in characteristic fashion, "My dear fellow, I quite agree with you, but what are we two against so many?"^[5]

Arms and the Man is a humorous play that shows the futility of war and deals comedically with the hypocrisies of human nature.

Plot summary

The play takes place during the 1885 Serbo-Bulgarian War. Its heroine, Raina Petkoff, is a young Bulgarian woman engaged to Sergius Saranoff, one of the heroes of that war, whom she idolizes. One night, a Swiss mercenary soldier in the Serbian army, Captain Bluntschli, climbs in through her bedroom balcony window and threatens to shoot Raina if she gives the alarm. When Russian/Bulgarian troops burst in to search the house for him, Raina hides him so that he won't be killed. He asks her to remember that "nine soldiers out of ten are born fools." In a conversation after the soldiers have left, Bluntschli's attitude towards war and soldiering (pragmatic and practical as opposed to Raina's idealistic views) shocks her, especially after he admits that he uses his ammunition pouches to carry chocolates rather than cartridges for his pistol. When the search dies down, Raina and her mother Catherine sneak Bluntschli out of the house, disguised in an old housecoat.

The war ends with the Bulgarians and Serbians signing a peace treaty and Sergius returns to Raina, but also flirts with her insolent servant girl Louka (a soubrette role), who is engaged to Nicola, the Petkoffs' manservant. Raina begins to find Sergius both foolhardy and tiresome, but she hides it. Bluntschli unexpectedly returns so that he can give back the old housecoat, but also so that he can see her. Raina and her mother are shocked, especially when her father and Sergius reveal that they have met Bluntschli before and invite him to stay for lunch (and to help them with troop movements).

Afterwards, left alone with Bluntschli, Raina realizes that he sees through her romantic posturing, but that he respects her as a woman, as Sergius does not. She tells him that she had left a photograph of herself in the pocket of the coat, inscribed "To my chocolate-cream soldier", but Bluntschli says that he didn't find it and that it must still be in the coat pocket. Bluntschli gets a telegram informing him of his father's death and revealing to him his now-enormous inheritance. Louka then tells Sergius that Bluntschli is the man whom Raina protected and that Raina is really in love with him. Sergius challenges Bluntschli to a duel, but Bluntschli avoids fighting and Sergius and Raina break off their engagement (with some relief on both sides). Raina's father, Major Paul Petkoff, discovers the portrait in the pocket of his housecoat; Raina and Bluntschli trick him by removing the photograph before he finds it again in an attempt to convince him that his mind is playing tricks on him, but Petkoff is determined to learn the truth and claims that the "chocolate-cream soldier" is Sergius. After Bluntschli reveals the whole story to Major Petkoff, Sergius proposes marriage to Louka (to Mrs. Petkoff's horror); Nicola quietly and gallantly lets Sergius have her, and Bluntschli, recognising Nicola's dedication and ability, determines to offer him a job as a hotel manager.

While Raina is now unattached, Bluntschli protests that—being 34 and believing she is 17—he is too old for her. On learning that she is actually 23, he immediately proposes marriage and proves his wealth and position by listing his inheritance from the telegram. Raina, realizing the hollowness of her romantic ideals, protests that she would prefer her poor "chocolate-cream soldier" to this wealthy businessman. Bluntschli says that he is still the same person, and the play ends with Raina proclaiming her love for him and Bluntschli, with Swiss precision, both clearing up the major's troop movement problems and informing everyone that he will return to be married to Raina exactly two weeks from Tuesday.

Critical reception

George Orwell said that Arms and the Man was written when Shaw was at the height of his powers as a dramatist. "It is probably the wittiest play he ever wrote, the most flawless technically, and in spite of being a very light comedy, the most telling." Orwell says that Arms and the Man wears well—he was writing 50 years later—because its moral—that war is not a wonderful, romantic adventure—still needs to be told. His other plays of the period, equally well written, are about issues no longer controversial. For example, the theme of Mrs. Warren's Profession, which so shocked audiences at the time, was that the causes of prostitution are mainly economic, hardly big news today, and the play Widowers' Houses was an attack on slum landlords, which are now held in such low esteem that the matter is hardly controversial.^[6]

Subsequent productions

• The first Broadway production opened on 17 September 1894 at New York City's Herald Square Theatre. Since then there have been six Broadway revivals, two of which are listed below.
• The most prestigious London revival was directed by John Burrell for The Old Vic Company at the New Theatre, which opened on 5 September 1944, starring Ralph Richardson (Bluntschli), Margaret Leighton (Raina Petkoff), Joyce Redman (Louka), and Laurence Olivier (Major Sergius Saranoff). "Olivier thought Sergius a humbug, a buffoon, a blackguard, a coward, 'a bloody awful part' until Tyrone Guthrie said he would never succeed in the role until he learned to love Sergius. Olivier, spurred and moustachioed, was high camp": Robert Tanitch.^[7]
• A revival production ran at New York City's Arena Theatre from 19 October 1950 to 21 January 1951, for a total of 108 performances. The cast included Lee Grant as Raina, Francis Lederer as Bluntschli and Sam Wanamaker as Sergius.
• Marlon Brando's final stage appearance was in Arms and the Man in 1953. He gathered friends who were fellow actors into a company for a summer stock production. He chose to play Sergius while William Redfield starred as Bluntschli.
• The play was produced in 1982 at the Stratford Shakespeare Festival, with Brian Bedford as Bluntschli and Len Cariou as Sergius.
• The Studio Arena Theater in Buffalo, New York put on a production of Arms and the Man in 1983 with Kelsey Grammer as Sergius.^[8]
• In 1985 John Malkovich directed a revival production at New York City's Circle in the Square Theatre starring Kevin Kline as Bluntschli (later replaced by Malkovich after Kline's departure), Glenne Headly as Raina and Raúl Juliá as Sergius. The production ran from 30 May to 1 September 1985, for a total of 109 performances.
• The BBC produced a made-for-TV version^[9] in 1989, directed by James Cellan Jones, starring Helena Bonham Carter as Raina, Pip Torrens as Bluntschli, Patrick Ryecart as Sergius and Patsy Kensit as Louka.
• In 2011 the play was presented by the Guthrie Theater in Minneapolis, Minnesota, The Seattle Public Theater in Seattle, Washington state, and the Constellation Theatre Company in Washington DC.
• In the summer of 2013, Odyssey Theatre^[10] in Ottawa, Ontario, Canada performed a masked performance of this play.^[11]
• The Shaw Festival at Niagara-on-the-Lake, Ontario has performed the play a number of times: in 1967, 1976, 1986, 1994, 2006 and 2014, the last directed by Morris Panych.^[12]
• The play opens at the American Shakespeare Center's Blackfriars Playhouse in Staunton, Virginia on April 29, 2016 and will run until June 11.

Adaptations

The scene in The Chocolate Soldier in which Bumerli (the equivalent of Bluntschli) enters the bedroom of Nadina (the equivalent of Raina), in a 1910 London production

• When Shaw gave Leopold Jacobson the rights to adapt the play into what became the operetta The Chocolate Soldier (1908) with music by Oscar Straus, he provided three conditions: none of Shaw's dialogue nor any of his character's names could be used, the libretto must be advertised as a parody of Shaw's work, and Shaw would accept no monetary compensation. Nonetheless, Shaw's original plot, and with it the central message of the play, remained more or less untouched.^[13] Shaw despised the result, calling it "a putrid opéra bouffe in the worst taste of 1860", but grew to regret not accepting payment when, despite his opinion of the work, it became a lucrative international success.^[13]
• When Shaw heard, in 1921, that Franz Lehár wanted to set his play Pygmalion to music, he sent word to Vienna that Lehár be instructed that he could not touch Pygmalion without infringing Shaw's copyright and that Shaw had "no intention of allowing the history of The Chocolate Soldier to be repeated."^[13] Only after Shaw's death was Pygmalion eventually adapted by Lerner and Loewe as My Fair Lady (1956).
• A British film adaptation was directed in 1932 by Cecil Lewis. It starred Barry Jones as Bluntschli and Anne Grey as Raina.
• A filmed version of Arms and the Man in German entitled Helden (Heroes) starring O. W. Fischer and Liselotte Pulver was runner up for the Academy Award for Best Foreign Language Film in 1958.
• An audio version was produced by the BBC starring Ralph Richardson as Captain Bluntschli and John Gielgud as Major Sergius Saranoff.
• A second BBC audio version was produced in 1984 and broadcast on BBC Radio 7 in February 2009 starring Andrew Sachs as Captain Bluntschli and Gary Bond as Major Saranoff.
• A third version was broadcast on BBC Radio 3 on 21 March 2010 starring Rory Kinnear as Captain Bluntschli, Lydia Leonard as Raina and Tom Mison as Major Saranoff. This production was produced by Nicolas Soames and directed by David Timson.
• An audio version was produced in 1999 by the CBC starring Simon Bradbury as Captain Bluntschli, Elizabeth Brown as Raina and Andrew Gillies as Major Saranoff.
• Another audio version was produced in 2006 by the L.A. Theatre Works starring Jeremy Sisto as Captain Bluntschli, Anne Heche as Raina and Teri Garr as Catherine.
• A musical by Udo Jürgens, Helden, Helden, also based on Shaw's play, premiered at the Theater an der Wien, Vienna, Austria in 1973.

Pejorative military use of the term "chocolate soldier"

The chocolate-cream soldier of the play has inspired a pejorative military use of the term. In Israel, soldiers use the term "chocolate soldier" (Hayal Shel Shokolad, חייל של שוקולד) to describe a soft soldier who is unable to fight well.^[14] Similarly, members of the Australian Citizens Military Force were derided by the regular army as "chokos" or chocolate soldiers, the implication being that they were not real soldiers.^[15][16]

References

External links

Wikisource has original text related to this article: Arms and the Man

• The script of Arms and the Man at Project Gutenberg
• Arms and the Man public domain audiobook at LibriVox
• Arms and the Man at the Internet Broadway Database
• Internet Movie Database entry for Arms and the Man
• McNabb, Jim. "Arms and the Man by George Bernard Shaw : Study Guide" (PDF). Ottawa: National Arts Centre. Retrieved 12 April 2011. 
• Smith, Nicole. "Arms and the Man by George Bernard Shaw : Class and Social Critique in the Play". Retrieved 12 April 2011.