Amour (2012 film)


French release poster
Directed by Michael Haneke
Produced by Margaret Ménégoz
Stefan Arndt
Veit Heiduschka
Michael Katz
Written by Michael Haneke
Starring Jean-Louis Trintignant
Emmanuelle Riva
Isabelle Huppert
Cinematography Darius Khondji
Edited by Monika Willi
Nadine Muse
Les Films du Losange
X-Filme Creative Pool
Wega Film
France 3 Cinéma
Distributed by Les Films du Losange (France)
X-Verleih (Germany)
Filmladen (Austria)
Release dates
  • 20 May 2012 (2012-05-20) (Cannes)
  • 20 September 2012 (2012-09-20) (Germany)
  • 24 October 2012 (2012-10-24) (France)
Running time
127 minutes[1][2]
Country France
Language French
Budget $8.9 million[3]
Box office $29.9 million[3]

Amour (pronounced: [a.muʁ]; French: "Love") is a 2012 French-language romantic drama film written and directed by the Austrian filmmaker Michael Haneke, starring Jean-Louis Trintignant, Emmanuelle Riva and Isabelle Huppert. The narrative focuses on an elderly couple, Anne and Georges, who are retired music teachers with a daughter who lives abroad. Anne suffers a stroke which paralyses her on the right side of her body.[4] The film is a co-production among the French, German, and Austrian companies Les Films du Losange, X-Filme Creative Pool, and Wega Film.

The film was screened at the 2012 Cannes Film Festival,[5][6] where it won the Palme d'Or.[7] It won the Academy Award for Best Foreign Language Film at the 85th Academy Awards,[8][9] and was nominated in four other categories: Best Picture, Best Actress in a Leading Role (Emmanuelle Riva), Best Original Screenplay (Michael Haneke) and Best Director (Michael Haneke).[10] At the age of 85, Emmanuelle Riva is the oldest nominee for Best Actress in a Leading Role.[11][12]

At the 25th European Film Awards, it was nominated in six categories,[13] winning in four, including Best Film and Best Director. At the 47th National Society of Film Critics Awards it won the awards for Best Film, Best Director and Best Actress.[14] At the 66th British Academy Film Awards it was nominated in four categories, winning for Best Leading Actress and Best Film Not in the English Language.[15] Emmanuelle Riva became the oldest person to win a BAFTA.[16][17] At the 38th César Awards it was nominated in ten categories,[18] winning in five, including Best Film, Best Director, Best Actor and Best Actress.[19][20]


After residents of an apartment building complain of a weird smell coming from one of the apartments, the brigade of firemen and police break down the door of the apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.

The film goes back to several months before the opening scene, and Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils, Alexandre. They return home to find that someone has unsuccessfully tried to break in to their apartment. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.

Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.

Alexandre, her former pupil whose performance they attended, stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.

Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.

One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.

Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.

The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.



The film was produced for €7,290,000 through France's Les Films du Losange, Germany's X-Filme Creative Pool and Austria's Wega Film.[4][21] It received co-production support from France 3 and €404,000 in support from the Île-de-France region.[4] Further funding was granted by the Medienboard Berlin-Brandenburg in Germany and National Center of Cinematography and the moving image in France.[22] Principal photography took place from 7 February to 1 April 2011.[22]

After 14 years, Jean-Louis Trintignant came back on screen for Haneke.[23] Haneke had sent Trintignant the script, which had been written specifically for him.[24] Trintignant said that he chooses which films he works in on the basis of the director, and said of Haneke that "he has the most complete mastery of the cinematic discipline, from technical aspects like sound and photography to the way he handles actors".[24]

The film is based on an identical situation that happened in Haneke's family.[25][26] The issue that interested him the most was: "How to manage the suffering of someone you love?"[26]

Haneke called the collaboration with Jean-Louis Trintignant and the subject of the film itself as a motivation to make the film. The starting point for Haneke's reflections was the suicide of his 90-year-old aunt, who had raised him. According to Haneke, she was suffering under heavy rheumatism and lived the last years alone in her apartment, because she did not want to be placed in a nursing home. She had even asked the director unsuccessfully for euthanasia. According to Haneke, the main theme of his script is not old age and death, but "the question of how to deal with the suffering of a loved one".[27]

Haneke dealt with the matter since 1992.[28] The work on the script was interrupted by a writer's block. Haneke normally wrote out the script exactly before the writing process. This time the end of the story was not clear to him. He began writing in the hope that this would occur to him at work, but this did not happen.[29] "I have tormented myself terribly with the script and I was left with the impression that I have not succeeded in getting the hang of this topic", he said. At the same time the director realized that the Swiss-Canadian Léa Pool with La dernière fugue (2010) had created a similar story, about an old man who is taken care of by his wife. Therefore, he let the project in favor of another. He worked only sporadically on it, until his writer's block loosened and he could finish the script quickly. Haneke wrote it specifically for Trintignant, having already written the scripts for The Piano Teacher (2001) and Caché (2005) specifically for actors (Isabelle Huppert and Daniel Auteuil). Haneke prefers this way of working, because in this way one "writes specifically something that fits to the advantages of each actor and helps to particularly work them out".[30]


Artificial Eye acquired the distribution rights for the United Kingdom.[31]

Critical reception

Amour was met with widespread acclaim from critics. Review aggregation website Rotten Tomatoes gives the film a score of 93% based on 198 reviews, with an average rating of 8.7/10. The site's critical consensus reads: "With towering performances and an unflinching script from Michael Haneke, Amour represents an honest, heartwrenching depiction of deep love and responsibility."[32] Metacritic gives the film a weighted average rating of 94 out of 100, based on reviews from 44 critics, indicating "universal acclaim."[33]

Writing for The Guardian after the Cannes screening, Peter Bradshaw said "this is film-making at the highest pitch of intelligence and insight", naming it the best film of 2012.[34] Jamie Graham of Total Film gave Amour 5 stars out of 5, stating "far from being a cold, scientific study from a filmmaker frequently accused of placing a pane of glass between his work and his viewers, this sensitive film emerges heartfelt and humane."[35] Dave Calhoun of Time Out London also gave the film 5 out of 5 stars, stating "Amour is devastatingly original and unflinching in the way it examines the effect of love on death, and vice versa".[36] Calling Amour the best film of 2012, critic A. O. Scott of The New York Times said that "months after its debut at Cannes this film already feels permanent."[37] Writing in The Times, critic Manohla Dargis hailed the film as "a masterpiece about life, death and everything in between."[38] The newspaper flagged the film as a critics' pick. The Wall Street Journal's film critic Joe Morgenstern wrote of Amour: "Mr. Haneke's film, exquisitely photographed by Darius Khondji, has won all sorts of prizes all over the world, and no wonder; the performances alone set it off as a welcoming masterpiece."[39]

Among the few negative reviews, Calum Marsh of the Slant Magazine gave the film 2 out of 4 stars and indicated that the film "isn't the work of a newly moral or humanistic filmmaker, but another ruse by the same unscrupulous showman whose funny games have been beguiling us for years", adding that "Haneke's gaze, trained from an unbridgeable remove, carries no inflection of empathy; his style is too frigid, his investment too remote, for the world of these characters to open up before us, for their pain to ever feel like something more than functional."[40]

Box office

The film earned a total of $6,739,492 in the United States.[41] In total, it grossed $25,915,719 worldwide [42] against its $8.9 million budget.


List of Accolades
Award / Film Festival Category Recipient(s) Result
85th Academy Awards[9][10] Best Picture Margaret Ménégoz, Stefan Arndt, Veit Heiduschka and Michael Katz Nominated
Best Actress in a Leading Role Emmanuelle Riva Nominated
Best Achievement in Directing Michael Haneke Nominated
Best Original Screenplay Nominated
Best Foreign Language Film Won
2nd AACTA International Awards[43] Best International Actress Emmanuelle Riva Nominated
7th Alliance of Women Film Journalists Award[44] Top 10 Films Amour Won
Best Non-English-Language Film Won
Best Actress Emmanuelle Riva Nominated
Best Original Screenplay Michael Haneke Nominated
Actress Defying Age and Ageism Emmanuelle Riva Nominated
34th Bavarian Film Awards[45] Best Director Michael Haneke Won
66th Bodil Awards[46] Best Non-American Film Amour Won
33rd Boston Society of Film Critics Award[47] Best Foreign Film Won
Best Actress Emmanuelle Riva Won
66th British Academy Film Awards[15][48] Best Leading Actress Won
Best Director Michael Haneke Nominated
Best Original Screenplay Nominated
Best Film Not in the English Language Amour Won
2012 British Film Institute[49] Top 10 Films Won
15th British Independent Film Awards[50][51] Best International Independent Film Nominated
65th Cannes Film Festival[7] Palme d'Or Michael Haneke Won
38th César Awards[18][52] Best Film Amour Won
Best Director Michael Haneke Won
Best Actor Jean-Louis Trintignant Won
Best Actress Emmanuelle Riva Won
Best Supporting Actress Isabelle Huppert Nominated
Best Original Screenplay Michael Haneke Won
Best Production Design Jean-Vincent Puzos Nominated
Best Cinematography Darius Khondji Nominated
Best Editing Monica Willi Nominated
Best Sound Guillaume Sciama, Nadine Muse, Jean-Pierre Laforce Nominated
23rd Chicago Film Critics Awards[53] Best Actress Emmanuelle Riva Nominated
Best Foreign-Language Film Amour Won
18th Critics' Choice Awards[54] Best Actress Emmanuelle Riva Nominated
Best Foreign Language Film Amour Won
19th Dallas-Fort Worth Film Critics Awards[55] Best Actress Emmanuelle Riva Nominated
Best Foreign Language Film Amour Won
33rd Durban International Film Festival[56] Best Feature Film Award Michael Haneke Won
25th European Film Awards[57] European Film Amour Won
European Director Michael Haneke Won
European Actor Jean-Louis Trintignant Won
European Actress Emmanuelle Riva Won
European Screenwriter Michael Haneke Nominated
Carlo di Palma European Cinematographer Award Darius Khondji Nominated
65th FIPRESCI Awards[58][59] Grand Prix Amour Won
2nd Georgia Film Critics Awards[60] Top 10 Films Amour Won
Best Foreign Film Won
Best Picture Nominated
Best Director Michael Haneke Nominated
Best Actress Emmanuelle Riva Nominated
Best Original Screenplay Michael Haneke Nominated
70th Golden Globe Awards[61][62] Best Foreign Language Film Amour Won
60th Golden Reel Awards[63] Best Sound Editing - Sound Effects, Foley, Dialogue and ADR in a Foreign Feature Film Nominated
48th Guldbagge Awards[64] Best Foreign Film Won
6th Houston Film Critics Awards[65] Best Foreign Language Film Nominated
Best Actress Emmanuelle Riva Nominated
28th Independent Spirit Awards[66] Best International Film Michael Haneke Won
10th Irish Film & Television Awards[67] Best International Film Amour Nominated
Best International Actress Emmanuelle Riva Nominated
46th Kansas City Film Critics Awards[68] Best Foreign Language Film Amour Won
16th Las Vegas Film Critics Awards[69] Best Foreign Language Film Won
33rd London Film Critics Circle Awards[70][71] Film of the Year Won
Foreign Language Film of the Year Nominated
Actor of the Year Jean-Louis Trintignant Nominated
Actress of the Year Emmanuelle Riva Won
Supporting Actress of the Year Isabelle Huppert Nominated
Director of the Year Michael Haneke Nominated
Screenwriter of the Year Won
38th Los Angeles Film Critics Awards[72] Best Film Amour Won
Best Actress Emmanuelle Riva Won
18th Lumières Awards[73] Best Film Amour Won
Best Actress Emmanuelle Riva Won
Best Actor Jean-Louis Trintignant Won
Best Director Michael Haneke Nominated
84th National Board of Review[74] Best Foreign Language Film Amour Won
47th National Society of Film Critics Awards[75] Best Film Won
Best Director Michael Haneke Won
Best Actress Emmanuelle Riva Won
78th New York Film Critics Circle Awards[76][77][78] Best Foreign Language Film Amour Won
Best Actress Emmanuelle Riva Nominated
12th New York Film Critics Online Awards[78] Best Foreign Film Amour Won
Best Actress Emmanuelle Riva Won
7th Oklahoma Film Critics Awards[79] Best Foreign Language Film Amour Won
16th Online Film Critics Society Awards[80] Best Film Not in the English Language Nominated
Best Actress Emmanuelle Riva Nominated
13th Phoenix Film Critics Society Awards[81] Best Foreign Language Film Amour Nominated
15th Polish Academy Awards[82] Best European Film Won
69th Prix Louis Delluc[83] Best Film Amour Nominated
17th San Diego Film Critics Society Awards[84] Best Foreign Language Film Amour Nominated
14th San Francisco Film Critics Awards[85] Best Foreign Film Amour Won
Best Actress Emmanuelle Riva Won
17th Satellite Awards[86] Best Foreign Language Film Amour Nominated
Best Actress Emmanuelle Riva Nominated
19th Southeastern Film Critics Awards[87] Best Foreign Language Film Amour Nominated
2012 The Globe and Mail Review[88] Best Film Amour Won
2012 The Village Voice Poll[89] Best Film Amour Won
Best Actress Emmanuelle Riva Nominated
Best Actor Jean-Louis Trintignant Nominated
16th Toronto Film Critics Association Awards[90] Best Foreign Language Film Amour Won
Best Picture Nominated
Best Actress Emmanuelle Riva Nominated
12th Utah Film Critics Awards[91] Best Non-English Language Feature Amour Nominated
13th Vancouver Film Critics Circle[92] Nominated
11th WDCAFCA Awards[93] Best Foreign Language Film Won
Best Actress Emmanuelle Riva Nominated

Best of 2012

Both Sight & Sound film magazine and Peter Bradshaw of The Guardian named Amour the third best film of 2012.[94][95]

See also


  1. "Amour - Zurich Film Festival". Zurich Film Festival. Retrieved 30 December 2012.
  2. "Amour - Love (12A)". British Board of Film Classification. 14 September 2012. Retrieved 23 January 2013.
  3. 1 2 "Amour at The Numbers". The Numbers. Retrieved 16 March 2013.
  4. 1 2 3 Lemercier, Fabien (2010-11-22). "Ile-de-France backs Haneke's Amour". Cineuropa. Retrieved 3 June 2011.
  5. "2012 Official Selection". Cannes. Retrieved 19 April 2012.
  6. "Cannes Film Festival 2012 line-up announced". timeout. Retrieved 19 April 2012.
  7. 1 2 "Awards 2012". Cannes. Retrieved 27 May 2012.
  8. "Oscars 2013: Full list of winners". BBC News. 25 February 2013. Retrieved 25 February 2013.
  9. 1 2 "Hanke's Amour geht fuer Oesterreich ins Oscar Rennen". Der Standart. Retrieved 4 September 2012.
  10. 1 2 "Oscars: Hollywood announces 85th Academy Award nominations". BBC News. 10 January 2013. Retrieved 10 January 2013.
  11. "Youngest v oldest actress vie for Oscar as Lincoln leads the pack". The Times. Retrieved 10 January 2013.
  12. Walker, Tim (10 January 2013). "Quvenzhané Wallis v Emmanuelle Riva: Best actress Oscar contested by oldest and youngest ever nominees". The Independent. London. Retrieved 10 January 2013.
  13. "Amour leads European Film Award nominations". BBC News. 5 November 2012. Retrieved 4 November 2012.
  14. "US critics reward Cannes favourite Amour". BBC News. 7 January 2013. Retrieved 7 January 2013.
  15. 1 2 "Bafta awards 2013: Full list of nominees". BBC News. Retrieved 8 January 2013.
  16. Brown, Mark (10 February 2013). "Baftas: stars dress for show not snow as awards hail director Ben Affleck". The Guardian. London. Retrieved 11 February 2013.
  17. "'Argo', Affleck take top prizes at BAFTAs". CNN. 11 February 2013. Retrieved 11 February 2013.
  18. 1 2 "Amour among contenders for 2013 Cesar Awards". BBC News. 25 January 2013. Retrieved 26 January 2013.
  19. "Michael Haneke film 'Amour' sweeps major César awards in Oscars warm-up". euronews. Retrieved 23 February 2013.
  20. "'Amour' sweeps France's César awards". France24. Retrieved 23 February 2013.
  21. "Love (Amour)". Les Films du Losange. Retrieved 3 June 2011.
  22. 1 2 "Amour". Screenbase. Screen International. Retrieved 3 June 2011.
  23. Cannes 2012, "Amour": le retour à la lumière de Jean-Louis Trintignant, Huffington Post in cooperation with Le Monde, 2012-05-20.
  24. 1 2 Rohter, Larry (2 November 2012). "Michael Haneke Directs Amour, With Jean-Louis Trintignant". New York Times. Retrieved 30 December 2012.
  25. "Article The Curzon Interview: Michael Haneke". Curzon Cinema. Retrieved 30 December 2012.
  26. 1 2 Foundas, Scott (2012-12-20). "Michael Haneke on Amour: "When I Watched it with the Audience, They Gasped!"". The Village Voice. Retrieved 12 January 2013.
  27. [Liebe: Vorabdruck aus dem Buch 'Haneke über Haneke' – Gespräche mit Michel Cieutat und Philippe Rouyer. Berlin/Köln : Alexander Verlag, September 2012. 31 S. (Kindle Edition, 133 KiB)
  28. [Abeltshauser, Thomas: „Ich laufe nicht mit der Palme auf dem Kopf herum“ in, (from September 2012)]
  29. [Huber, Christoph: Michael Haneke: „Bei mir ist der Schauspieler schon König!“,, August 2012]
  30. [»Ich habe keine Phantasie!«,, 31 May 2012]
  31. Kemp, Stuart (2011-05-13). "U.K.'s Artificial Eye Boards Michael Haneke, Laurent Cantet Projects (Cannes)". The Hollywood Reporter. Retrieved 3 June 2011.
  32. "Amour". Rotten Tomatoes. Flixster. Retrieved 27 November 2012.
  33. "Amour". Metacritic. CBS. Retrieved 27 November 2012.
  34. Bradshaw, Peter (May 20, 2012). "Cannes 2012: Amour – review". London: The Guardian. Retrieved November 21, 2012.
  35. Graham, Jamie (October 26, 2012). "Amour review". Total Film. Future Publishing. Retrieved November 19, 2012.
  36. Calhoun, Dave. "Amour review". Time Out. Retrieved 21 November 2012.
  37. Scott, A. O. (14 December 2012). "25 Favorites From A Year When 10 Aren't Enough". The New York Times. Retrieved 14 December 2012.
  38. Dargis, Manohla (18 December 2012). "Étude on Aging, Its Graces, Its Indignities". The New York Times. Retrieved 18 December 2012.
  39. Morgenstern, Joe (20 December 2012). "Luminous, Loving 'Amour'". The Wall Street Journal. Retrieved 20 December 2012.
  40. Marsh, Calum (2012-10-02). "Amour". Slant Magazine. Retrieved 11 January 2013.
  41. "Amour (2012) - Box Office Mojo".
  43. "2nd AACTA International Awards Nominees". Australian Academy of Cinema and Television Arts (AACTA). 9 January 2013. Retrieved 9 January 2013.
  44. "2012 EDA Award Nominees". Alliance of Women Film Journalists. Retrieved 28 December 2012.
  45. "Winners of the Bavarian Film Awards". Retrieved 10 February 2013.
  46. "Bodil-prisen 2013". Retrieved 10 February 2013.
  47. "2012 Winners". Boston Society of Film Critics. Retrieved 10 December 2012.
  48. "Bafta Film Awards 2013: The winners". BBC News. 10 February 2013. Retrieved 11 February 2013.
  49. BFI. "The Master tops Sight & Sound's Best of 2012". British Film Institute. Retrieved 2 December 2012.
  50. "British Independent Film Awards". Retrieved 7 December 2012.
  51. "Imposter Among Early Winners at British Independent Film Awards". Retrieved 10 December 2012.
  52. "38th César Award Nominations" (PDF). academie-cinema. 2013-01-26. Retrieved 26 January 2013.
  53. ""The Master" rules 2012 CFCA Awards with 10 Nominations". CFCA. 2012-12-14. Retrieved 14 December 2012.
  54. "Critics' Choice Movie Awards". The Broadcast Films Critics Association. Retrieved 11 December 2012.
  55. Jones, Arnold Wayne (2012-12-18). "DFW Film Critics bestow 2012 awards". Dallas Voice. Retrieved 18 December 2012.
  56. "Award-winners Announced At Durban International Film Festival 2012". University of KwaZulu-Natal. Retrieved 18 August 2012.
  57. "The 25th European Film Awards: Winners". Retrieved 2 December 2012.
  58. "Michael Haneke's Amour, winner of the FIPRESCI Grand Prix". Retrieved 30 November 2012.
  59. Mitchell, Robert (2012-09-05). "Int'l crix love Haneke's 'Amour'". Variety. Retrieved 5 September 2012.
  60. "2012 Awards". Georgia Film Critics Association. Retrieved February 19, 2013.
  61. "2013 Golden Globe Nominations". HFPA. 2012-12-12. Retrieved 13 December 2012.
  62. "Golden Globes: Ben Affleck's Argo scoops two awards". HFPA. 14 January 2013. Retrieved 14 January 2013.
  63. "The 60th MPSE Golden Reel Awards nominees". Los Angeles Times. 17 January 2013. Retrieved 14 February 2013.
  64. "Nomineringarna till Guldbaggen" (in Swedish). Retrieved 3 January 2013.
  65. "Lincoln leads Houston Film Critic Society Awards with eight nominations". Retrieved 10 January 2013.
  66. "Spirit Awards 2013". Retrieved 28 November 2012.
  67. "Winners of the 10th Annual Irish Film & Television Awards". Retrieved February 17, 2013.
  68. "Kansas City Film Critics Circle Awards". KCFCC. 2012-12-16. Retrieved 16 December 2012.
  69. "2012 Sierra Award winners". LVFCS. 12 December 2012. Archived from the original on 17 December 2012. Retrieved 13 December 2012.
  70. "The Circle Film Awards 2012 NOMINATIONS". LFCC. 2012-12-18. Retrieved 18 December 2012.
  71. "Amour bags hat-trick of London Critics' Circle Film Awards". BBC. 2013-01-21. Retrieved 21 January 2013.
  72. "38th Annual Los Angeles Film Critics". LAFCA. December 5, 2012. Retrieved 10 December 2012.
  73. "Prix et nominations : Lumières de la presse étrangère 2013". AlloCiné. Retrieved February 20, 2013.
  74. "National Board Of Review Best Film: 'Zero Dark Thirty'". December 5, 2012. Retrieved 5 December 2012.
  75. "2012 Awards: "Amour," Emmanuelle Riva, Daniel Day-Lewis". National Society of Film Critics. January 6, 2013. Retrieved 5 December 2012.
  76. "NYFCC - Best Foreign Film Awards". Retrieved 3 December 2012.
  77. "Kathryn Bigelow and Steven Spielberg win New York Film Critics awards". BBC News. 4 December 2012. Retrieved 4 December 2012.
  78. 1 2 "The gory details of the New York Film Critics Circle vote". Variety Media, LLC. Retrieved 7 December 2012.
  79. "Oklahoma and Nevada Critics sound off". Retrieved 3 January 2013.
  80. "2012 Awards (16th Annual)". Online Film Critics Society. Retrieved 10 January 2013.
  81. Adams, Ryan (11 December 2012). "Phoenix and Detroit Critics join the mix". Awards Daily. Retrieved 11 December 2012.
  82. "NOMINACJE DO ORŁÓW 2013, DOROCZNYCH NAGRÓD POLSKIEJ". Polskie Nagrody Filmowe. Retrieved 11 February 2013.
  83. "Le Prix Louis Delluc récompense Benoît Jacquot pour ses". toutelaculture. 2012-12-17. Retrieved 17 December 2012.
  84. "San Diego Film Critics Society 2012 Awards". Retrieved 11 December 2012.
  85. "2012 San Francisco Film Critics Circle Awards". SFFCC. 2012-12-16. Retrieved 17 December 2012.
  86. "17th Satellite Awards Nominations". International Press Academy. Retrieved 5 December 2012.
  87. "Southeastern Film Critics Association Awards: 'Argo' Best of 2012; 'Zero Dark Thirty,' 'Lincoln' Runners-Up". The E.W. Scripps Co. Retrieved 20 December 2012.
  88. "The Best Movies of 2012". Toronto: The Atlantic Monthly Group. Retrieved February 21, 2012.
  89. "2012 The Village Voice Poll". Village Voice, LLC. Retrieved February 21, 2013.
  90. "Toronto Film Critics Association Announces 2012 Awards". Toronto Film Critics Association. Retrieved 14 February 2013.
  91. "Utah Film Critics Winners". Retrieved 20 December 2012.
  92. "Lincoln Leads Vancouver Film Critics". Retrieved 27 December 2012.
  93. "The 2012 WAFCA Award Nominees". Retrieved 9 December 2012.
  94. Kevin Jagernauth (December 1, 2012). "Paul Thomas Anderson's 'The Master' Tops Sight & Sound's Best Of 2012". Retrieved 1 December 2012.
  95. Bradshaw, Peter (12 December 2012). "The 10 best films of 2012, No 3 - Amour". London: The Guardian. Retrieved 12 December 2012.

External links

Wikiquote has quotations related to: Amour (2012 film)
This article is issued from Wikipedia - version of the 10/12/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.