Aleshia Brevard

Aleshia Brevard
Born Alfred Brevard Crenshaw
1937 (age 78–79)
Eastern Tennessee
Nationality American
Occupation actress, model, professor
Years active 1960s–1980s
Known for early gender transition
Notable work "Woman I Was Not Born To Be: A Transsexual Journey"

Aleshia Brevard (born 1937) is an American author and actress of stage, screen, and television who was born male and grew up as a boy, before transitioning to female and undergoing one of the first sex reassignment surgery procedures performed in the United States.[1] She worked as an entertainer, actress, model, Playboy bunny, professor of theater, and author. Because of circumstances and her early transition, she lived her life as a woman outside of any sense of transgender community, just going about developing her education and career. Only after publishing her memoirs in her 60s, was she identified for the first time as part of the transgender community.

Early life

Brevard was born Alfred Brevard Crenshaw on a farm in Eastern Tennessee in 1937. Growing up as a boy in a religious family in a rural part of central Tennessee,[2] "Buddy" was always close to her mother. Brevard always felt different than other children, like a girl inside, and prayed nightly to wake up a girl.[2] Brevard's teen years were awkward, and after a romantic disappointment in High School, Brevard left right after graduation to the West Coast.[2]

San Francisco and transition

Ending up in San Francisco, Brevard found a job as a female impersonator at Finocchio's Club in San Francisco under the stage name "Lee Shaw" in the early 1960s,[3] doing Marilyn Monroe impressions,[4] eventually achieving enough renown that Marilyn herself came to a performance.[5]

Brevard began her transition at 21 under the care of famed gender specialist Harry Benjamin in the late 1950s. At Benjamin's recommendation, Brevard underwent the surgical reassignment procedure in Los Angeles's Westlake Clinic under the care of surgeon Elmer Belt.[2]

Brevard later worked as a stripper in Reno, and as a Playboy bunny.[4]

Education

After a year's recovery and adapting post-surgery,[2] she enrolled as a student at Middle Tennessee State University for her undergraduate education[6] and married while still enrolled.[2] It was during this period that she grew into the role of being a woman, in the day-to-day sense, while married and taking classes.[2] She attended graduate school at Marshall University in West Virginia. This was at a time when she was a working actress, touring the country doing theater, working in film or television, and getting married. She gained membership in Hollywood unions.[6] She ultimately got her master's degree in Theater.

Through Dr. Harry Benjamin, Brevard became friends in the late 1950s and 60s with other patients of his, Charlotte McLeod and Kathy Taylor, and they became a support network for each other. Together had lunches with Dr. Benjamin who, as well as their doctor, they considered paternally as both a kind of mentor and friend. Charlotte was the first American to undergo sex reassignment surgery (or SRS) in Denmark following Christine Jorgensen, and Kathy Taylor transitioned in 1963.[7]

Later in the 1970s, she had breast enhancement surgery.

Attitude towards gender

Brevard's transition was one of the first, and occurred before the term transgender had been coined and before there were enough people for there to be a transsexual or transgender community of people with like experience in San Francisco.[7]

Brevard did not self-identify as trans, nor was she seen that way. She moved through life as a woman undetected in mainstream society. Once her memoir came out in 2001, she started to become labeled a "transsexual writer" and "transsexual actress". As she stated in her second book, "I'd been labeled—forced into a transsexual mold.[7]

"Professionally, both as a film/stage actress and, later, as a university professor of theatre, my life was lived outside the gender community. Only after publishing two memoirs, when in my 60’s and 70’s, did I first hear the term "transgender" and become aware of the community’s stated agenda," she said in an interview in 2013.[2]

Brevard went on, "For me, as well as for my early sisters, the goal was never to live with a 'T' before our names. Our objective was to blend so thoroughly that the things mixed could not be recognized. It was a choice, made not because we felt any shame about our transsexual history, but because our goal had always been to live fully as the women we’d been born to be."[2]

Works

Film and Television

See also

Sources

References

  1. ↑ Brevard 2001, Temple University Press.
  2. 1 2 3 4 5 6 7 8 9 10 Kowalska 2013.
  3. ↑ Times of San Mateo 1961:Finocchio's new 1961 musical revue, "Showtimes In New York and San Francisco," is a dazzler, an up-roarious laughfest and an-outstanding novelty all rolled into-one big fun package. It presents a race for top entertainment achievements of the Broadways of the two cities. ... Among the new faces in the Finocchio's cast is Lee Shaw. This show is a winner and certainly is a triumph of real originality for Producer LaMonte.
  4. 1 2 3 4 Temple University Press 2001.
  5. ↑ Ames 2002, p. 281.
  6. 1 2 Brevard 2011, p. 3.
  7. 1 2 3 Brevard 2011, p. 5.

External links

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