A Place of One's Own

A Place of One's Own

Directed by Bernard Knowles
Produced by R. J. Minney
Written by Brock Williams
Based on novel by Osbert Sitwell
Starring James Mason
Barbara Mullen
Margaret Lockwood
Dennis Price
Dulcie Gray
Music by Hubert Bath
Cinematography Stephen Dade
Edited by Charles Knott
Distributed by Eagle Lion (USA)
Release dates
  • 1945 (1945)

1949 (USA)

Running time
92 minutes
Country United Kingdom
Language English

A Place of One's Own is a 1945 British film directed by Bernard Knowles. An atmospheric ghost story based on the novel by Osbert Sitwell, it stars James Mason, Barbara Mullen, Margaret Lockwood, Dennis Price and Dulcie Gray. Mason and Mullen are artificially aged to play the old couple. It was one of the cycle of Gainsborough Melodramas.


(The plot summary is copied verbatim from the website "Britmovie".)

Mr and Mrs Smedhurst (James Mason and Barbara Mullen) are a business couple wanting to retire. They find a mansion in the country, Bellingham House, at a bargain price. They move in along with their servants and soon learn the house is supposedly haunted – but Mr Smedhurst in particular is sceptical of the paranormal myth. They invite a young companion, Annette (Margaret Lockwood), to join them but within days of arriving she steadily begins hearing strange voices. The new owners learn that a young invalid girl was believed to have been murdered 40 years previously in the house – and their preconceptions of the supernatural are challenged. When the spirit of the murdered girl possesses Annette, her health declines drastically and soon she’s at death's door. A young doctor, Dr Selbie (Dennis Price), has fallen deeply in love with Annette and attempts to cure her but to no avail. In a state of delirium, Annette calls for old Dr Marsham (Ernest Thesiger), the GP who had attended to the dead girl 40 years earlier.



The film was based on a novel published in 1942.[1]

James Mason wrote in his memoirs that when he read the script "not only did I enthuse but I even asked that I might be permitted to play the role of the elderly retiree in the story."[2]

This was the first time Margaret Lockwood used a beauty spot on her cheek in a film, something which became a trademark.[3]


According to Kinematograph Weekly the film performed well at the British box office in 1945.[4] Considering the popularity at the time of stars James Mason and Margaret Lockwood, the film was considered a financial disappointment. Mason later wrote in his memoirs that the blame needed to be shared between himself, for wanting the play the role, and the producer, for letting him.

Of course it could have turned out a failure even if the most suitable actor in the world had played that part. But the reactions of the top brass at the studio did nothing to allay my own feeling of guilt for having volunteered my services. In any case it was not that I was incapable of turning my hand to a character part, it was just that I had amassed what I always realized was an absurd degree of popularity, and the fan population wanted me to appear only as some heroic young lady-killer; or better-still, ladybasher.[2]

He also blamed director Bernard Knowles:

Knowles deserved his share [of blame] because he had never got over Citizen Kane and still thought that it was a shortcut to success if one had the actors play immensely long sequences without any intercutting or covering shots. In Citizen Kane the director could afford to do this because Herman Mankiewicz had revised one strong situation after another.[2]

The film was not released in the US until 1949.


External links

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