59 Productions

59 Productions
Industry creative direction, technical design, and projection
Founder Leo Warner and Mark Grimmer
Headquarters Edinburgh, United Kingdom
Number of employees
11

59 Productions is a Tony Award-winning creative direction, technical design, and projection team, best known as the video-designers for the 2012 Summer Olympics opening ceremony.[1]

Origins

59 Productions was founded in Edinburgh by Leo Warner and Mark Grimmer. Early projects included the video design for Stellar Quines Theatre Company's Sweet Fanny Adams in Eden (2003),[2] followed by the video design for the recently formed National Theatre of Scotland's Roam (2006) and Black Watch (2006), which featured in the Edinburgh Festival Fringe.[3] Shortly after the success of the show, which won multiple awards at Edinburgh Festivals, a Critics' Circle Theatre Award, a South Bank Sky Arts Award, four Critics' Awards for Theatre in Scotland, four Laurence Olivier Awards, and a New York Drama Critics' Circle Award,[4] 59 Productions relocated to London, where they began a series of collaborations at the Royal National Theatre,[5] causing critics to say that the company had "created an entirely new art form."[6]

59's Leo Warner and Mark Grimmer were part of the original creative team for War Horse in 2007, which went on to win six Laurence Olivier Awards[7] in London and five Tony Awards for the subsequent production on Broadway.[8]

59 Productions undertook its first opera in 2007 at the English National Opera, providing the projection design for Philip Glass's Satyagraha, directed by Phelim McDermott and designed by Julian Crouch of Improbable theatre.[9] This was the first of several collaborations with Improbable theatre, including the design for the Metropolitan Opera's 125th Anniversary Gala in 2009, which raised more than $10 million.[10]

In 2012, Oscar-winning director Danny Boyle asked 59 Productions to provide the animation and projection design for the 2012 Summer Olympics opening ceremony, viewed by an audience of over a billion people.[1] At around the same time, 59 was also asked to lead the design of the David Bowie is exhibition for the Victoria and Albert Museum, marking the company's expansion into the world of exhibition design. The exhibit was described as "brought to life by technology and united in sound and vision in a way rarely seen in a museum."[11]

Now employing 11 people worldwide, 59 Productions works in set design, video projection design, exhibition and events design, film, theatre, and interactive production. The company was "Lighting the Sails" at Sydney Opera House for the 2014 VIVID Live festival.[12] In 2015 they did the projection design for the first-ever Broadway production of George Gershwin's An American in Paris (film). The production went on to win 4 Tony Awards, including Best Scenic Design of a Musical for Bob Crowley and 59 Productions.[13]

Selected productions

Selected tours

References

  1. 1 2 3 "London Olympics Opening Ceremony 2012". Rapid Visual Media. Retrieved 16 May 2007.
  2. 1 2 "Sweet Fanny Adams in Eden". Stellar Quines Theatre Company. Retrieved 14 May 2007.
  3. 1 2 Brantley, Ben (24 October 2007). "To Tell These War Stories, Words Aren't Enough". The New York Times. Retrieved 24 October 2007.
  4. "Awards for the National Theatre of Scotland". National Theatre of Scotland. Retrieved 23 May 2014.
  5. Sears, Amelia (July 2008). "Interviews with the Creative Team" (PDF). National Theatre Education. Retrieved 16 May 2014.
  6. Gardner, Lyn (4 December 2006). "Waves sets a high-water mark for multimedia theatre". The Guardian. Retrieved 16 May 2014.
  7. Shenton, Mark (9 March 2008). "Hairspray Wins Four 2008 Laurence Olivier Awards Including Best Musical". Playbill. Retrieved 23 May 2014.
  8. "British play War Horse triumphs at Tony Awards". The Telegraph. 13 June 2011. Retrieved 23 May 2014.
  9. Brieler, Philipp. "The Art of Satyagraha". The Metropolitan Opera. Retrieved 19 May 2014.
  10. Tommasini, Anthony (16 March 2009). "A Gala of Singing and Nostalgia (Addio, Speeches)". The New York Times. Retrieved 23 May 2014.
  11. Menkes, Suzy (18 March 2013). "David Bowie Brought to Life, in All His Guises". The New York Times. Retrieved 23 May 2014.
  12. "Lighting the Sails". VIVID Live. Retrieved 14 May 2014.
  13. "2015 Tony Winners". Tony Awards. Retrieved 6 July 2015.
  14. "An American in Paris". An American in Paris Broadway. Retrieved 6 July 2015.
  15. Fisher, Neil (21 May 2014). "How to melt the Sydney Opera House". The Times. Retrieved 23 May 2014.
  16. Brantley, Ben (22 April 2014). "A Cold War Casualty, Hot for Freedom (and Heels)". The New York Times. Retrieved 16 May 2014.
  17. Stasio, Marilyn (23 March 2014). "Broadway Review Les Miserables". Variety. Retrieved 16 May 2014.
  18. Hume, Marion (15 April 2013). "David Bowie Exhibition Opens at London's V&A". Forbes. Retrieved 16 May 2014.
  19. Loomis, George (18 August 2009). "Amid Upheavals, a Steady Salzburg Festival". The New York Times. Retrieved 16 May 2014.
  20. Boswell, Jenna. "59 Productions and the Making of War Horse". Kinographics. Retrieved 19 May 2014.
  21. Brieler, Philipp. "The Art of Satyagraha". The Metropolitan Opera. Retrieved 19 May 2014.
  22. Gardner, Lyn (4 December 2006). "Waves sets a high-water mark for multimedia theatre". The Guardian. Retrieved 16 May 2014.
  23. Chadwick, Alan (6 April 2006). "First Class Act". The Metro. Retrieved 16 May 2014.
  24. "National Theatre of Great Britain Production War Horse". War Horse on Stage. Retrieved 19 May 2014.
  25. Aames, Timothy (20 January 2012). "Jónsi & Fifty Nine Productions: Taxidermy Fire Inspires Darkness-to-Light Aesthetic". Alarm. Retrieved 16 May 2014.
  26. "Les Miserables Broadway". lesmis.com. Retrieved 19 May 2014.
  27. Brantley, Ben (17 November 2008). "Six Lives Ebb and Flow, Interconnected and Alone". The New York Times. Retrieved 19 May 2014.
  28. "National Theatre of Scotland's Black Watch US Tour Dates Announced". All Media Scotland. 16 July 2010. Retrieved 19 May 2014.

External links

This article is issued from Wikipedia - version of the 1/6/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.