13.13

13.13
Studio album by 13.13
Released June 1982
Recorded
Length 39:58
Label Ruby
Producer
  • 13.13
  • Lydia Lunch
Lydia Lunch chronology
The Agony Is the Ecstacy
(1982)
13.13
(1982)
In Limbo
(1984)

13.13 is the second album by American artist Lydia Lunch, released in June 1982 by record label Ruby.

Content

Trouser Press writes that the album "[revives] the grind-and-caterwaul of Teenage Jesus as filtered through Metal Box-era PiL, all deviant guitar and rolling rhythms. Like her previous stuff, it manages to be simultaneously fascinating and annoying."[1] UK magazine Fact wrote that "sonically it comes over like a more droning, dissolute Stateside cousin of Siouxsie & the Banshees' Juju".[2]

Reception

Professional ratings
Review scores
SourceRating
AllMusic[3]
Trouser Pressmixed[1]

13.13 has divided critics. In its retrospective review, Fact qualified it as a "masterpiece".[2]

Track listing

All tracks written by 13.13 (Dix Denney, Lydia Lunch, Cliff Martinez and Gregg Williams), except as noted. 

Side A
No. TitleWriter(s) Length
1. "Stares to Nowhere"    4:15
2. "3x3"    6:05
3. "This Side of Nowhere"  Lydia Lunch 4:15
4. "Snakepit Breakdown"  Lydia Lunch 4:07
Side two
No. TitleWriter(s) Length
1. "Dance of the Dead Children"  Lydia Lunch 2:49
2. "Suicide Ocean"    5:56
3. "Lock Your Door"    5:27
4. "Afraid of Your Company"    7:04

Personnel

13.13
Production and additional personnel

Charts

Chart (1982) Peak
position
UK Indie Chart 19[4]

References

  1. 1 2 Payes, Robert; Sheridan, David; Grant, Steven; Robbins, Ira. "TrouserPress.com :: Lydia Lunch". TrouserPress.com. Retrieved July 21, 2016.
  2. 1 2 "Lydia Lunch's 13.13 Reissued – Fact Music: Music News, New Music.". Fact. January 27, 2011. Retrieved August 16, 2016.
  3. "13 13 – Lydia Lunch | Songs, Reviews, Credits, Awards | AllMusic". AllMusic. Retrieved August 16, 2016.
  4. Lazell, Barry (1997). Indie Hits 1980-1989. Cherry Red Books. Retrieved September 5, 2014.

External links

This article is issued from Wikipedia - version of the 9/24/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.